影片推薦
攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin Bartashevi鋼琴之子
米奇·艾斯巴爾貝,安娜·卡斯蒂羅,娜烏西卡·邦寧光榮何價
大衛·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達·狄龍假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費斯·洛根,桃樂絲·麥卡錫三度空間
楊若兮,黃格選,馬強愛的戀習生
Gorn Wannapairote,許紫柔,汪東城同類精選
假如比爾街可以作證
琪琪·萊恩,史蒂芬·詹姆士,雷吉娜·金,科爾曼·多明戈,泰柔娜·派麗絲,邁克爾·比奇,安潔紐·艾莉絲-泰勒,埃博妮·奧西迪安,多米妮克·索恩,迭戈·盧納,芬·維特洛克,艾德·斯克林,艾米莉·里奧斯,佩德羅·帕斯卡,布萊恩·泰里·亨利,瑪西婭·讓·庫爾茨,戴夫·弗蘭科,馬科·查卡,費斯·洛根,桃樂絲·麥卡錫困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚,許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林洛杉磯之戰
艾倫·艾克哈特,拉蒙·羅德里格茲,威爾·羅斯海爾,科里·哈德里克,吉姆·帕拉克,基諾·安東尼·佩西,尼歐,詹姆斯·廖,布里吉特·莫伊納漢,諾爾·費舍,阿德托庫姆布斯·麥克馬克,布賴斯·卡斯,邁克爾·佩納,米歇爾·羅德里格茲,小尼爾·布朗,泰勒·漢德雷,喬伊·金,盧卡斯·提爾,Kenneth Brown Jr.,雅丹·古爾德,喬·克里斯特,E·羅杰·米切爾,羅斯·布萊克維爾,蘇西·阿布羅梅特,布蘭迪·科爾曼,大衛·詹森,湯姆·希爾曼,莉娜·克拉克,塔琳·薩瑟恩,詹姆斯·D·德弗,Dane Brown,Gra密林諜影
康磊,馬亞楠,徐箭,梁笑,施駿喆,馬丹赫,張京生,宋禹,張貴生,穆佳男新年伊始 不合適也要有個限度!~不能認真聊聊嗎?~
阿部貞夫,仲里依紗,磯村勇斗,吉田羊,河合優實,錦戶亮,江口德子,袴田吉彥,小野武彥,坂元愛登,三宅弘城,八島智人,中島步,山本耕史,古田新太影視排行
任務迷走72小時
魯克·高斯,博基姆·伍德拜因,路易·曼迪勒,馬克·可汗,萊昂納德·凱利-揚,海瑟·洛普,布魯克·紐頓,羅伯特·菲茨杰拉德·迪格斯,雷弗·甘特沃特一個手握政府機密的AWOL海軍成員正被俄國特工和一個危險的殺手追緝
新潮姑娘
梁天,葛優,原利,陳裕德,丁一龍山姑娘林春萍為逃婚登上火車準備去找大舅暫避。火車上,春萍巧遇劉市長和年輕的司機楊丁,楊丁十分同情春萍的遭遇,臨別時給她留下了自家的地址。春萍的大舅已去海南謀職,春萍無奈求助于楊丁。楊丁央求母親留下春萍,并通過考試將她安排在父親楊文杰當廠長的煙花廠做保管員。工廠不景氣,管理失調,煙花受潮,大批顧客要求退貨。老保管員韓秀珍從廠里偷出煙花私售被春萍發現,欲報告廠長。韓秀珍哭訴家境,春萍不忍,原諒了她。職工和家屬們聚集在廠院示威,要求發工資維持生活,春萍幫楊文杰暫時解圍。但此舉終非長久之計,他們決定找市委反映,設法重整旗鼓。春萍和小菊子闖入市長會議室,敘說工廠情況,楊文杰見狀溜走,眾人十分贊賞春萍的責任心。在工業局長黎靜的鼓勵下,春萍決定競選廠長,她的誠懇話語打動了職工,大家一致推舉了她。春萍上任后積極推進改革,獎勤罰懶,獎懲分明;她還接回了被老廠長排擠走的張工程師,主持現有設備的技術改造和新產品開發。新產品問世?受到中外客戶的青睞,春萍和張工與外商簽訂了購買煙花的合同。春萍一頭扎在繁忙的工作中,不覺中冷落了楊丁。楊丁誤以為春萍愛上了張工,一怒之下離去,后經劉市長勸解,兩人才和好如初。韓秀珍稱病休假,倉庫保管不良致使煙花受潮廢棄,春萍立即組織處理,并去探望韓秀珍。韓秀珍正與滿腹怨氣的楊文杰搓麻將。楊文杰躲進床底,韓秀珍因被指責工作不負責任而與春萍大吵,繼而以自殺要挾,要求撤銷處分,工廠里流言四起,指責春萍收受回扣、個人生活不檢點。春萍十分為難,但毫不退縮,楊丁不愿心上人受辱,拉春萍回到龍山。最后,外商來到工廠澄清了事實,領導們趕往龍山告訴春萍,她已被評為優秀企業家,要立刻進京受獎。龍山村響起了一片歡快的嗩吶聲。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
河貍變身計劃
佩珀·柯達,鮑比·莫尼漢,喬恩·哈姆,凱茜·納基麥,戴夫·弗蘭科,愛德華多·弗蘭科,梅麗莎·維亞西諾爾,托馬斯·勞,梅麗爾·斯特里普,瓦妮莎·貝爾,阿帕娜·南切拉,山姆·理查森,小伊塞亞·維特洛克,史蒂夫·波賽爾,艾戈·烏迪姆,妮可拉·布魯姆,凱倫·惠伊,莉拉·劉,埃曼·阿卜杜勒-拉扎克,喬·斯帕諾,羅里·艾倫,迪米特利·馬丁少女梅寶(佩珀·柯達 Piper Curda 配音)偶然借助突破性技術,讓自身意識“跳脫”身體,進入機械動物體內,“變身”為一只活潑靈動的河貍,從而得以潛入動物社群內部,更以“人類思維闖入動物本能”的獨特視角,揭開一場充滿意外與溫情的野外探險。