圣血
一個全身赤裸的年輕男人蹲在室內(nèi)靠窗的一株樹干上，目光呆艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。他就是芬尼克斯（Axel Jodorowsky 飾），被關(guān)在精神病院的一位患者。從小體弱多病性格孤僻的芬尼克斯，童年是在馬戲班里度過的。父親奧高（蓋伊·斯托克韋爾 Guy St ockwell 飾）是馬戲班班主，母親嘉西婭（布蘭卡·格拉 Blanca Guerra 飾）是空中飛人的演員。嘉西婭信奉拜物教，她供的神是個被兩個兄弟奸殺的斷臂少女。在她流血的地方，人們挖池貯水建起教堂，取名“圣血”。當(dāng)神父發(fā)現(xiàn)所謂的圣血不過是紅油漆水時，同意當(dāng)?shù)卣饸Ы烫谩＜挝鲖I帶領(lǐng)教徒反抗。當(dāng)嘉西婭發(fā)現(xiàn)奧高與人通奸時發(fā)起報復(fù)，奧高拿飛刀斬去嘉西婭雙臂，割脈自殺。芬尼克斯進(jìn)入精神病院。在嘉西婭的唆使下，芬尼克斯逃出精神病院，成為了嘉西婭的“魔手”。
即刻觀影
劇情賞析
編輯推薦
阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩Feature adaptation of the 1957 novel by Ayn Rand.
猩球崛起2：黎明之戰(zhàn)
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯十年前，人類為自己的愚蠢付出慘痛代價，兇險致命的猿流感病毒蔓延全球，世界毀滅殆盡。而在毗鄰舊金山的原始叢林，凱撒（安迪·瑟金斯 Andy Serkis 飾）帶領(lǐng)猩猩伙伴們建立起無憂無慮的王國，直到某一天，猩猩的家園的寧靜再度被人類打破。在舊城茍延殘喘的人類面臨能源危機，他們試圖利用森林腹地大壩的發(fā)電站提供能源。青年科學(xué)家馬爾科姆（杰森·克拉科 Jason Clarke 飾）試圖說服聚集地負(fù)責(zé)人德里弗斯（加里·奧德曼 Gary Oldman 飾），希望通過和平手段取得猩猩部落的信任和同意。然而凱撒的好盟友科巴（托比·凱貝爾 Toby Kebbell 飾）卻無法摒除對人類的憎恨，他嘗試著挑戰(zhàn)者凱撒的權(quán)威。 人類和猩猩，雙方小心翼翼試探，而戰(zhàn)爭在所難免……
疾患
杰西卡·羅德,約瑟夫·克羅斯,Julianna Layne艾莉深陷一種可怕的病癥：她的記憶會周期性清零，連丈夫和女兒都無從辨認(rèn)。每一次重啟都讓她墜入迷霧，只留下對陌生生活的零星片段，似曾相識，卻無從拼湊。。。
神探巴克希
蘇尚特·辛格·拉吉普特,菊池隆則,阿南德·蒂瓦里,Swastika Mukherjee本片講述大學(xué)剛畢業(yè)的神探巴克希，對抗一個想要破壞地球的邪惡天才的故事。主賓國影片《神探巴克希》由印度著名商業(yè)電影導(dǎo)演迪巴卡爾·班納吉指導(dǎo)，融合懸疑、偵探、40年代等元素，塑造了一個印度“夏洛克·福爾摩斯”形象，有著強烈的人格魅力。影片有很強的故事性，動作場面極具想象力，從演員服裝、外景設(shè)計、汽車道具都做到了一絲不茍。有張力的懸疑劇情能讓觀眾們在2小時的觀影時間內(nèi)目不轉(zhuǎn)睛。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯康納·馬什與他的狗桑迪過著隱居生活，直到有一天他開始玩一款新的、尖端的電腦游戲——OBEX。當(dāng)桑迪失蹤后，現(xiàn)實與游戲之間的界限開始模糊，康納不得不踏入OBEX這個奇異的世界，去把她帶回家。