安娜&潘潘雙生花鐵子們喜歡雙飛嗎

榮耀嘻哈

莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠

A deaf single dad's life with his daughter changes when she becomes a hip-hop star. Meanwhile, another father faces ongoing challenges communicating with his deaf son.

沖動(dòng)

芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯

　　該片講述四位朋友共同前往一座島嶼度假，期間他們接觸一種名為“Urge”的藥物，而當(dāng)四人吸食之后，他們將逐漸走向欲望的深淵。

春苗

李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇

 故事發(fā)生在文革前夕的1965年。婦女隊(duì)長春苗（李秀明 飾）看不慣醫(yī)療衛(wèi)生大權(quán)把持在有資產(chǎn)階級(jí)思想意識(shí)的人手中，她主動(dòng)請(qǐng)纓到公社衛(wèi)生院學(xué)習(xí)，以期學(xué)成回村為貧下中農(nóng)服務(wù)。她不顧院長杜文杰（白穆 飾）和醫(yī)生錢濟(jì)仁（馮奇 飾）的刁難排擠，在方明（達(dá)式常 飾）的幫助下，她刻苦鉆研專業(yè)知識(shí)，但杜與錢的所做所為還是讓她憤然離開了醫(yī)院。春苗回村后，在黨支部的支持下，她在村里的衛(wèi)生室做了一名赤腳醫(yī)生。1966年，文革開始后，杜文杰出于不可告人的目的，在公社辦起赤腳醫(yī)生培訓(xùn)班，春苗和其它村的赤腳醫(yī)生揭穿了杜文杰的陰謀，杜腦羞成怒，暗中下毒謀害水昌伯（高寶成 飾），并嫁禍春苗，春苗識(shí)破了杜的詭計(jì)......

鐵肺

馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾希·洛夫洛克,艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷

 影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

綁架2007

林嘉欣,劉若英,張智霖,郭濤,張兆輝,官恩娜,趙會(huì)南

　　3年前，話劇老師林曉陽（林嘉欣飾）的弟弟被綁架，案件交由高級(jí)督察何宛真（劉若英飾）及智叔（張兆輝飾）負(fù)責(zé)，可是在追捕的過程中，疑犯因爭(zhēng)吵墜樓身亡，林曉陽就此埋下了怨恨。　　三年后，林曉陽患病的丈夫（趙會(huì)南飾）病情加重，需要一千萬才能有治好的希望，林曉陽動(dòng)了綁架富豪王森（郭 濤飾）兒子的念頭。多日來林曉陽跟她從尼泊爾認(rèn)識(shí)的同伙跟蹤小孩動(dòng)向，后來決定在一個(gè)傍晚下手。剛好案子也是有何宛真接手，就讓林曉陽有了報(bào)復(fù)的心理，何宛真為了救回孩子只好服從，可她萬萬沒有想到，原來王森的兒子，跟自己的兒子調(diào)換了衣服穿，被林曉陽綁架的正是何宛真的兒子。　　兩個(gè)女人，都為著心愛的親人在綁架案中斗志斗勇，展開激烈的較量。

瘦身男女

劉德華,鄭秀文,王天林,林雪,黑川力矢,佐膝佳次

　　Mini Mo（鄭秀文飾）遭受失戀的打擊后，飲食失去控制后體重升至260磅，窈窕身材不再。她與初戀情人黑川約定在十年后的日本相見，但舊貌不再的她深感自卑。偶然相識(shí)了跟她同樣體型極胖的肥佬（劉德華飾），肥佬非常同情她，決定要幫她重塑魔鬼身材。肥佬以地獄式減肥方法鍛煉Mini，為了讓她減肥成功，得到更多的金錢讓她上專業(yè)美容院減肥，肥佬不惜在街頭被拳擊換取酬勞。令Mini感動(dòng)不已。　　Mini恢復(fù)原貌前去赴約，黑川向她提出求婚，可是她心中仍念念不忘為她默默付出的肥佬，盼望跟他重逢的一天。