劇情簡介
阿德和西蒙是死黨,兩個酒鬼終日無所事事,只為喝個爛醉,找個女艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。阿德靠失業救濟金過活,住在她姐姐家旁的拖車里;西蒙是個冷凍漁場的夜班工,他們都不敏感,不再年輕也不英俊。然而他們的冷漠卻使他們的這種生活饒有樂趣,找個女人在海灘上胡搞,當著妓女弟弟的面和她上床,而西蒙一生的至愛確是一具他偷來的女尸……
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陳堃,莫佳荻,韓陽,武雨晴,王黎林宇與三名女孩遭遇空難,不幸流落至一座荒無人煙的孤島,剛上岸便遭遇一頭兇猛的變異雙頭蛇襲擊。危急時刻,容貌靚麗、身手矯健的當地女土著頌雅及時出現,憑借對島嶼環境的熟悉,成功引開雙頭蛇,將四人救至一處隱蔽山洞。在艱難的孤島求生中,林宇作為唯一的男性主動守護眾人,朝夕相處間,他與四名女孩漸生情愫,陷入了兩難的感情糾葛。好景不長,思瑤慘遭雙頭蛇伏擊吞噬,若琳也不幸遇害。悲痛之下,林宇、婉晴與頌雅聯手,借助頌雅祖輩流傳的經驗,摸清毒蛇怕強光和特定植物汁液的弱點,巧用簡易工具設下陷阱,最終成功消滅雙頭蛇,林宇也找到情感的歸宿。
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Erica Lindbeck,Robbie Daymond,Kimberly Woods,Sarah Anne Williams芭比是一個宇宙公主,和她忠誠的寵物伙伴在遙遠的宇宙中穿梭。有一天,一切都變了,閃爍的星星開始在天空暗淡。芭比前往一個美麗的新行星,加入一個特殊的救援隊,肩負拯救星球的使命。曾經在那里,她與一群才華橫溢的新朋友共同努力,冒險拯救銀河系。芭比很快發現,如果順從本心,以及在朋友們的幫助下,可能領導整個宇宙。
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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