紅色的味道,她

　　故事描述萊恩（吉諾亞拿尼亞 飾）的妹妹在幾個月前失蹤了，他認為她失蹤的原因是玩了網路上流傳的“電梯游戲”，傳說只要照著特定步驟操作電梯，就可以前往另一個次元。為了找到妹妹，萊恩說服他的朋友們一同進行電梯游戲，此舉卻為他們招來無法挽回的后果……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

因丟失尸體和愛人，羅伯特（Daktari Lorenz 飾）在絕望中以極其慘烈的方式自殺身亡。然而他的尸體并未因此得到寧靜，仿佛命中注定一般，才被葬入黃土不久的羅伯特又被妙齡女郎莫妮卡（Monika M. 飾）挖了出來。莫妮卡和羅伯特一樣，對死尸有著深深的迷戀，她和死去的羅伯特仿佛愛人似的生活在一起。　　某晚，莫妮卡在電影院門口邂逅馬克（Mark Reeder 飾），兩人隨即開始交往。看似浪漫的愛情雖然讓莫妮卡一度想要改掉怪異的愛好，但她仍然無法接受愛情的索然無味。直到某天，馬克發現了女友的秘密，他們的關系開始朝著不可預測的方向發展……

　　獅門出品 必屬精品　　暴風雨來襲  一女孩和她有孤獨癥的弟弟被困在一個有老虎的房子里