本性難移

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

 國王和王后迎來了他們可愛的小女兒奧羅拉公主（格瑞思·范·迪恩 Grace Van Dien 飾），為了慶祝這個嶄新的小小生命的降臨，城堡里舉行了盛大的宴會。國王邀請了仙女和女巫們參加晚宴，哪知道仙女們遲到了，這讓久候的女巫感到非常的生氣。女巫設下了惡毒的詛咒，詛咒奧羅拉公主將在她16歲那一年被紡錘刺破手指而死。內疚的仙女無法破解女巫的詛咒，卻將詛咒換了一種形式，被紡錘刺中的公主不會死去，而是陷入永久的沉睡之中。一晃眼16年過去，雖然國王和王后一直對公主的安全嚴防死守，但悲劇還是發生了，公主，連同整座王宮都陷入了昏睡中。一晃眼多年過去，一位勇敢的王子（菲恩·瓊斯 Finn Jones 飾）來到了這荊棘遍布的地方。

 聚焦一對身上有燒傷疤痕的姐妹，她們被病床上的母親要求去殺掉父親——是他虐待妻女，把她們燒傷。兩人因此踏上了一場奇特的旅程，是復仇，還是寬恕？

　　鎮上的每個人都知道老阿姨埃塞爾的故事。據說她在孩子們的家里制作萬圣節糖果和南瓜派。埃塞爾姨媽真的是一個有孩子味道的精神病例嗎？這個萬圣節，鄰居青少年將找出真相。他們為埃塞爾姨媽準備了一些特別的東西。這可能只是某人的最后一個萬圣節。