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劇情賞析
編輯推薦
芭比真人版
瑪格特·羅比,瑞恩·高斯林,亞美莉卡·費(fèi)雷拉,阿麗亞娜·格林布拉特,凱特·麥克金農(nóng),海倫·米倫,威爾·法瑞爾,伊薩·雷,哈莉·尼夫,艾瑪·麥基,亞歷山德拉·希普,莎朗·魯妮,妮可拉·考夫蘭,邁克爾·塞拉,康納·斯溫德?tīng)?舒提·蓋特瓦,劉思慕,金斯利·本-阿迪爾,斯科特·埃文斯,杜阿·利帕,約翰·塞納,雷亞·普爾曼,里圖·阿亞,安娜·科魯茲·凱恩,埃默拉爾德·芬內(nèi)爾,詹米·德米特魯,安·羅斯,瑪瑞薩·阿貝拉,妮基塔·查達(dá)哈,安妮·瑪莫羅,麥肯納·羅伯茨,漢娜·卡利克-布朗,斯特林·瓊斯,黛布·海特,杰西卡·在夢(mèng)幻浪漫的芭比樂(lè)園里，美麗自信的芭比們每日過(guò)著快樂(lè)無(wú)憂的生活，她們活躍在每一個(gè)工作崗位，肯是點(diǎn)綴，女孩的聚會(huì)才至關(guān)重要。直到某一天，我們的主角芭比（瑪格特·羅比 Margot Robbie 飾）突然提到了生死，她的完美生活毫無(wú)征兆發(fā)生改變。她的口氣不再清新，面容開(kāi)始猶豫憔悴，也無(wú)法輕盈地從頂樓飄落下來(lái)。經(jīng)前輩點(diǎn)播，她意識(shí)到人類世界某個(gè)人和她建立著聯(lián)系，而那個(gè)人的心境似乎正投射到芭比的身上來(lái)。為了找回曾經(jīng)的完美生活，芭比和肯（瑞恩·高斯林 Ryan Gosling 飾）輾轉(zhuǎn)來(lái)到現(xiàn)實(shí)世界，并經(jīng)過(guò)一番波折見(jiàn)到了葛洛莉婭（亞美莉卡·費(fèi)雷拉 America Ferrera 飾）母女，而肯也在見(jiàn)識(shí)到男權(quán)社會(huì)的魅力之后，心中升起要改變芭比樂(lè)園的念頭……
單獨(dú)之戀
凱文·詹姆斯,喬納森·魯米,金·寇茲,艾莉森·漢尼根,朱莉·安·埃默里,妮可·吉瑪多,茱莉·塞爾達(dá),朱莉婭·梅西娜Matt's fiance leaves him at the altar. Heartbroken, he goes on their planned Italian honeymoon alone. There he rediscovers his zest for life, food, and meets Gia who helps him find love again.
熊貓計(jì)劃之部落奇遇記
成龍,馬麗,喬杉,于洋,王影璐,張子棟,王成思,柯達(dá),宋木子,馮滿,王星,潘斌龍,于榮光,胡笑源神秘部落規(guī)矩離奇，怪事接連不斷！？熊貓胡胡和國(guó)際巨星Jackie（成龍 飾）意外穿越進(jìn)入與世隔絕的原始部落！擁有大小黑眼圈的憨萌熊貓胡胡竟被奉為“天降神獸”，還被族人們予以重任，堅(jiān)信她能化解部落危機(jī)。為守護(hù)胡胡，Jackie只得與怪異的族人們斗智斗勇：偶爾御風(fēng)飛翔的族長(zhǎng)（馬麗 飾）、偶爾萌猛反差的勇士強(qiáng)杉（喬杉 飾）、偶爾神力附體的王子圖魯（于洋 飾）和全程身手不凡的公主紗依（王影璐 飾），這場(chǎng)奇遇又會(huì)藏著怎樣的爆笑冒險(xiǎn)？胡胡能否化解部落的危機(jī)？神秘的部落背后又會(huì)隱藏著怎樣的古老秘密？
玩具熊的五夜驚魂2
喬什·哈切森,伊麗莎白·萊爾,派珀·盧比奧,馬修·里沃德,弗萊迪·卡特,斯基特·烏爾里奇,西奧多斯·克萊恩,特歐·布里奧尼斯,奧布里·布羅克韋爾,本特利·庫(kù)珀,梅根·福克斯,凱倫·高夫,麥肯娜·格瑞絲,韋恩·奈特,特拉茲·拉肖恩,賈昆·門羅-亨德森,托比·尼克爾斯,馬修·帕特里克,韓·索托,凱特琳·埃德林頓官方宣布第二部
笑臉殺人狂
羅南·魯賓斯坦,米婭·塞拉菲諾,克里斯平·格洛弗,阿馬迪厄斯·塞拉菲尼,阿什莉·里卡茲,加勒特·科菲,科迪·辛普森,Daniel Covin,Rachel Crowl,Gus Langley,Corey PratherAbout a handsome young soccer player Jake Graham who believes he is going insane, unable to shake the feeling of being stalked by something, by someone.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.