在線播放
劇情簡介
艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan黑色短裙妹子在家害羞并騷動
人氣佳作
無眠覺醒
吉娜·羅德里格茲,沙米爾·安德森,詹妮弗·杰森·李,阿麗亞娜·格林布拉特,巴里·佩珀,弗蘭西絲·費舍,吉爾·貝羅斯,菲恩·瓊斯,塞巴斯蒂安·皮戈特,塞爾吉奧·齊奧,亞歷克斯·豪斯,盧修斯·霍約斯,特洛文·海斯,肖恩·艾哈邁德,朱莉婭·迪揚,羅伯特·巴佐齊,柴·瓦拉達雷斯,凱特琳娜·塔克西亞,瑪莎·格爾文,埃利亞斯·艾德拉基,Michael Hough西關大屋
娜仁花,鄔靖靖,李琦網紅女友
Karina Razner,Olga Kalicka,Joanna Koroniewska,馬太烏茲·巴納斯烏克,Rafal Królikowski私生活2025
朱迪·福斯特,維爾日妮·埃菲拉,馬修·阿馬立克,丹尼爾·奧特伊,文森特·拉科斯特,盧安娜·巴杰拉米,索菲·勒圖訥爾導演精選
萬圣節傳說
1)名叫蒂米的男童怨靈會在萬圣節當晚四處尋找糖果,甚至會為此挖開他人的肚子;2)小男孩被逼迫去一戶人家惡作劇,結果被長著角的男主人抓住,兩人一起上街惡搞乃至戕害狂歡的人群;3)某戶人家正坐在客廳看電影,這時有個打扮成巫婆的女孩敲門,卻用刀捅了男主人,恐怖的萬圣節變成災難,當然他們正為自己的所作所為付出代價;4)二男一女不良少年團伙在萬圣節之夜四處欺負他人,這時打扮成魔鬼的少年出面阻止他們,反而被三人抓住。5)老婦人和親朋們講述了瑪麗?貝利的傳說,那是一個不愿意被人看到的女人的怨靈,如果被她看到可就慘了;6)無法承受喪女之痛的女人在萬圣節之夜變成了心理失衡的惡魔;7)中年人的對面,搬來幾個重口味的金屬青年,夜幕降臨,他和重金屬們發生了沖突;8)密林深處,失魂落魄的少女被無情的殺人狂追逐,突然怪事發生;9)兩個劫匪企圖在萬圣節綁架某富豪的孩子,怎奈請神容易送神難;10)男人好不容易雕了一個南瓜頭,結果南瓜頭突然活了過來,大鬧街頭。
限時拯救
快退休的警探肖被威脅兒子將被連環殺手活埋。他必須按照匪徒的要求快速解決三起謀殺案,才能得到兒子獲救的線索。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.