激情犯罪1984
一個(gè)運(yùn)動(dòng)服裝設(shè)計(jì)師過(guò)著雙重生活，她同樣是一個(gè)叫“China Blue”的妓艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她的一個(gè)客戶， 一個(gè)離了婚的男人，愛(ài)上了她并想發(fā)掘她的秘密。于是他便開(kāi)始追求她，但是她非常抗拒，因?yàn)樗撬目蛻簟Ｆ溟g，一個(gè)住在紅燈區(qū)的街道傳教士決定要拯救 “China Blue”的靈魂， 于是他便開(kāi)始不斷激勵(lì)她。最終她逃過(guò)這個(gè)傳教士的糾纏，而那個(gè)追求她的男人卻一心想要幫助她......
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劇情提要
一個(gè)運(yùn)動(dòng)服裝設(shè)計(jì)師過(guò)著雙重生活，她同樣是一個(gè)叫“China Blue”的妓艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。她的一個(gè)客戶， 一個(gè)離了婚的男人，愛(ài)上了她并想發(fā)掘她的秘密。于是他便開(kāi)始追求她，但是她非常抗拒，因?yàn)樗撬目蛻簟Ｆ溟g，一個(gè)住在紅燈區(qū)的街道傳教士決定要拯救 “China Blue”的靈魂， 于是他便開(kāi)始不斷激勵(lì)她。最終她逃過(guò)這個(gè)傳教士的糾纏，而那個(gè)追求她的男人卻一心想要幫助她......
暗夜精選
菜肉餛飩
周野芒,潘虹,茅善玉,陳國(guó)慶,王琳,徐祥,高博文,王菊,陳龍,馮瑪婭,倪夏蓮,安棟,王佳彥,曹可凡,袁鳴,章齡之,戰(zhàn)士強(qiáng),張芝華,張建亞,顧曉東,卞根琴,孔祥東,賈梓樂(lè),錢(qián)小昆,陳瀚波,黃英音樂(lè)之聲
朱莉·安德魯斯,克里斯托弗·普盧默,埃琳諾·帕克,理查德·海頓,佩吉·伍德,查爾敏·卡爾,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特懷特,黛比·特納,基姆·卡拉思,安娜·李,波希婭·納爾遜,本·懷特,丹尼爾·特魯希特,諾瑪·威登,吉爾克里斯特·斯圖爾特,馬妮·尼克松,埃瓦德妮·貝克,多麗絲·勞埃德,格特魯?shù)隆ぐ⑺固?弗蘭克·貝克,史蒂夫·卡魯瑟斯,山姆·哈里斯,多羅西·吉金斯,利奧達(dá)·理查德斯,杰弗里·塞爾,伯納德·賽爾,諾爾曼·斯蒂凡斯,伯特史蒂文斯,瑪麗亞·馮·特拉普榮耀嘻哈
莎黑茲·薩姆,萬(wàn)·哈納菲蘇,Aida Amron,韓家濠洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson鋼鐵飛龍之再見(jiàn)奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁芭比與小凱莉：消失的生日
萊拉·貝爾津什,娜吉雅布萊斯,Greg Chun披薩電影
伽塔·馬塔拉佐,莎拉·謝爾曼,露露·威爾遜,肖恩·吉布朗尼,馬庫(kù)斯·斯克里布納,凱萊布·希倫,佩頓·伊麗莎白·李,小克里斯·施密特,杰克·馬丁,Shiv Pai,Adam Herschman,瑞安·米喬,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經(jīng) 2020秋季特別篇
本集收錄新作《造了不開(kāi)啟的房間》《有內(nèi)情的KTV》及過(guò)去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書(shū)本招來(lái)的幽靈》《出租車(chē)司機(jī)的經(jīng)歷》《多出一人的電梯》《顏之道》。