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同類好片
謀殺穆巴拉克
潘卡·特里帕蒂,迪寶·卡帕蒂婭,維杰·維瑪,卡瑞詩(shī)瑪·卡普爾,薩拉·阿里·汗,蒂絲卡·喬普拉,庫(kù)納爾·赫姆,桑杰·卡普爾,Tara-Alisha Berry,Kiara Sadh,Hardika Sharma,Alok Panwar,Neeraj Saidawat,Ashok Chhabra,Amaara Sangam科洛弗悖論
古古·姆巴塔-勞,大衛(wèi)·奧伊羅,丹尼爾·布魯赫,約翰·奧提茲,克里斯·奧多德,阿卡塞爾·亨涅,章子怡,伊麗莎白·德比茨基,羅杰·戴維斯,唐納爾·羅格,蘇珊·克萊爾,肯·奧林,西蒙·佩吉,格雷戈·格倫伯格友情的游戲
貝拉·索恩鐵血戰(zhàn)士:荒原
David Chokachi,Amulya Ananth,Vanessa Zanardi蝸牛籃球隊(duì)
盲目交易
克里斯平·格洛弗,Lucy Loken,Annalisa Cochrane,Lulu Bailey,Claudia MacLeod,Alex Ghantous,Jake Horowitz導(dǎo)演精選
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
首都消失
這部災(zāi)難影片背景以現(xiàn)代日本為中心,主要描寫(xiě)東京突然被一股莫名的濃霧所籠罩,整個(gè)都會(huì)好像一下子消失了似的,各地政府及科研人員因此極為震驚,急忙組織起來(lái)研究對(duì)策。但是人們卻無(wú)法穿越濃霧進(jìn)入東京首都圈。這場(chǎng)濃霧形成了一個(gè)無(wú)法穿越的電磁屏障。而圈外的科學(xué)家們則在受損嚴(yán)重的軍用偵察機(jī)上得到靈感,利用即將到來(lái)的臺(tái)風(fēng)和雷暴雨,加上人工大功率電磁干擾機(jī),終于化解了這場(chǎng)戲劇般的非自然危機(jī)。 這原本該是一個(gè)不錯(cuò)的富有戲劇張力的構(gòu)思,但拍出來(lái)的片子卻教人不敢叫好,劇中女記者的角色刻劃不具感染力,而她和男記者之間時(shí)好時(shí)壞的關(guān)系描寫(xiě)也讓人感覺(jué)莫名其妙,確是讓觀眾感覺(jué)象一場(chǎng)霧。
克萊默夫婦
克萊默夫婦像普通的美國(guó)夫婦一樣,克萊默先生(達(dá)斯汀?霍夫曼 Dustin Hoffman 飾)在外工作掙錢,克萊默夫人(梅麗爾?斯特里普 Meryl Streep 飾)則在家照料照料6歲的兒子比利(賈斯汀?亨利 Justin Henry 飾)。由于克萊默先生忙于工作忽略了家庭,克萊默夫人某天憤然出走,留下了父子兩。克萊默先生現(xiàn)在一方面要忙于工作,一方面又要照顧比利,生活一時(shí)陷入麻煩中。克萊默先生不善家務(wù),在照料比利時(shí)洋相百出:第一次為比利煎西多士、過(guò)程十分恐怖;比利不吃飯要吃雪糕,克萊默先生想阻止卻不懂溝通……幸好在女鄰居的幫助下,克萊默先生逐漸適應(yīng)了單身父親的生活。父子兩越來(lái)越親密,互相依賴。這時(shí),克萊默夫人回來(lái)了,她已經(jīng)是紐約一名出色的設(shè)計(jì)師了。她回來(lái)要拿回比利的撫養(yǎng)權(quán)……