劇情簡(jiǎn)介
[嗲囡囡FEILIN]暫無(wú)內(nèi)容暫無(wú)內(nèi)容寫(xiě)真集系列鑒賞
為你推薦
豬豬俠大電影之競(jìng)速小英雄
在這場(chǎng)前所未有的時(shí)空競(jìng)速里，豬豬俠和星航這對(duì)“最佳損友”駕駛著星際列車(chē)穿越時(shí)空回到過(guò)去、他們能否可以扭轉(zhuǎn)命運(yùn)，在最終的賽場(chǎng)上改寫(xiě)結(jié)局，守護(hù)賽車(chē)夢(mèng)想？
大佛普拉斯
莊益增,陳竹升,戴立忍,張少懷,陳以文,納豆,丁國(guó)琳,李永豐,朱約信,雷婕熙,林美秀,小亮哥,游安順,梁赫群,脫線(xiàn),鄭宇彤,魯文學(xué)菜埔（莊益增 飾）是一家雕塑廠的夜間保安，家中有一位重病的老母親需要照顧。肚財(cái)（陳竹昇 飾）是菜埔唯一的朋友，菜埔經(jīng)常在值夜班的時(shí)候把肚財(cái)叫過(guò)來(lái)和他作伴。一天，兩人突發(fā)奇想決定看一看菜埔的老板黃啟文（戴立忍 飾）的行車(chē)記錄儀里記錄了哪些影像，希望向來(lái)風(fēng)流的老板能夠貢獻(xiàn)出一些精彩的片段以解兩個(gè)獨(dú)身男人內(nèi)心里的寂寞之苦。行車(chē)記錄儀所記錄的影像果然沒(méi)有讓菜埔和肚財(cái)失望，但與此同時(shí)，兩人也發(fā)現(xiàn)了黃啟文的許多不可告人的秘密。實(shí)際上，菜埔和肚財(cái)?shù)囊慌e一動(dòng)皆沒(méi)有逃過(guò)黃啟文的眼睛，為了保住自己的地位和名聲，他決定采取一些必要的行動(dòng)。
堵車(chē)
吳鎮(zhèn)宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗《堵車(chē)》是一部集愛(ài)情、動(dòng)作、奇幻、懸疑和黑色幽默于一體的都市電影，由一起堵車(chē)事件道出了販毒者羅生門(mén)（吳鎮(zhèn)宇 飾）、發(fā)條（陳志朋 飾）、一休（吳俊余 飾）、橙子（巴哈古麗 飾）等一群“堵心”人之間的命運(yùn)交織，講述了一個(gè)懸念迭起、凄美蒼涼的故事。《堵車(chē)》——由堵心而生。 三年前，“富二代”發(fā)條、先天心臟病患者一休和制毒販毒者羅生門(mén)三個(gè)人同時(shí)都愛(ài)上了少女橙子。 三年后，又為了同一個(gè)目標(biāo)，所有人的命運(yùn)再次交織在一起。 “∩”型摩天大樓就是羅生門(mén)的終點(diǎn)，是天堂的大門(mén)，也是宿命的象征。在荊軻的槍口下，羅生門(mén)用綠藻酒結(jié)束了自己的生命。手機(jī)視頻中，發(fā)條生命垂危，說(shuō)：如果我死了，請(qǐng)把我的心臟移植給一休。完成了橙子的愿望，也表達(dá)他對(duì)橙子的愛(ài)。
血寡婦
Danielle Lilley,Brandon Kyle Peters,Christopher de Padua青年休·麥克艾利斯特（Brandon Kyle Peters 飾）按照未婚妻未婚妻勞瑞·蘇利文（Danielle Lilley 飾）的意愿，在遠(yuǎn)離喧囂都市的僻靜角落買(mǎi)了一座數(shù)十款長(zhǎng)的大房子。喬遷當(dāng)日，勞瑞對(duì)新房子既滿(mǎn)意又驚奇，稍后沒(méi)多久，馬克（Jose Miguel Vasquez 飾）、安柏（Emily Cutting 飾）、肯尼斯（Christopher de Padua 飾）等朋友驅(qū)車(chē)前來(lái)，準(zhǔn)備為小兩口開(kāi)一個(gè)盛大的喬遷派對(duì)。馬可他們百無(wú)聊賴(lài)，四處閑逛，結(jié)果強(qiáng)行進(jìn)入一個(gè)無(wú)人居住的舊房子。青年男女百無(wú)禁忌，四處閑逛，根本不知自己已經(jīng)惹到了什么。夜幕降臨，喜歡熱鬧的男女們紛紛云集到休的新居，大開(kāi)狂歡派對(duì)。喜歡肯尼斯的女孩獨(dú)自落寞地再次來(lái)到那棟空房子，誰(shuí)知卻被隱藏在這里的恐怖之人殘忍殺害。 那邊廂狂歡無(wú)度，這邊廂血腥殺戮的閘門(mén)緩緩開(kāi)啟……
特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當(dāng)斯,石原崇雅,斯蒂芬·魯特,大衛(wèi)·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛(wèi),邁克·愛(ài)德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽(yáng),莉迪亞·佩克漢講述一對(duì)性格迥異的同父異母兄弟——哥哥是行事沖動(dòng)的偵探，弟弟是紀(jì)律嚴(yán)明的海軍海豹突擊隊(duì)員——因父親在夏威夷遇害而被迫聯(lián)手，踏上一場(chǎng)危機(jī)四伏的追尋之路，誓要揭開(kāi)背后隱藏的驚天陰謀。
本能反應(yīng)
安東尼·霍普金斯,小庫(kù)珀·古丁,唐納德·薩瑟蘭鮑威爾（安東尼?霍普金斯 Anthony Hopkins 飾）是一位專(zhuān)門(mén)研究黑猩猩的人類(lèi)學(xué)家，他在盧旺達(dá)長(zhǎng)期觀察觀察當(dāng)?shù)睾谛尚傻幕顒?dòng)。然而兩年前，這位性情溫和的學(xué)者突然性情大變，殺了兩位當(dāng)?shù)氐纳止芾韱T以及傷害了多名管理員后神秘失蹤。如今，他終于被逮捕歸案，關(guān)押在美國(guó)高度戒嚴(yán)的精神病監(jiān)獄。 年輕的精神病專(zhuān)家卡爾特（小庫(kù)珀?古丁 Cuba Gooding 飾）意圖揭開(kāi)鮑威爾精神失常之謎而一舉成名，于是他深入到監(jiān)獄直接與鮑威爾進(jìn)行對(duì)話(huà)。鮑威爾一開(kāi)始對(duì)這位訪客充滿(mǎn)敵意，身為人類(lèi)學(xué)家的他在卡爾特面前一點(diǎn)也不落下風(fēng)。隨著對(duì)話(huà)的逐漸深入，卡爾特漸漸了解到了事件真相：鮑威爾殺害的管理員其實(shí)是偷獵大猩猩的惡棍……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.