醬園弄·懸案 (2024)

4.9 播放:79萬 2026-04-23

影片根據民國四大奇案之一改編:女子因殺夫碎尸被捕,究竟是她一人所為,還是有人相助?鐵證如山如何翻案?真兇是否另有其人? 1945年,上海醬園弄驚現駭人血案,瘦弱女子詹周氏(章子怡 飾)手刃親夫“大塊頭”,碎尸16塊!一時間人心激蕩、眾說紛紜,舊時代的車輪徐徐碾過,案件真相層層待揭,眾人的命運將被這樁懸案改寫,而詹周氏的命運,也會迎來意想不到的變化……

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尼可曼斯

莫妮卡·貝魯奇,本·奧圖爾,泰絲·哈烏布里奇,卡羅琳·福特,大衛·文翰,戈蘭·D·克魯特,費利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea

  莫妮卡·貝魯奇加盟科幻恐怖片[尼可曼斯](Nekromancer,暫譯)。影片由澳大利亞導演凱·瑞奇-特納及凱兄弟兩人執導。影片卡司還包括本·奧圖爾([底特律])、泰絲·哈烏布里奇([機器之血])。該片由eOne聯合Screen Australia、 Create NSW投資制作。影片今年于悉尼開拍,劇情未知。

屈從

梅根·福克斯,米凱萊·莫羅尼,瑪德琳·奇瑪,瑪蒂爾達·弗思,裘德·格林斯坦,安德魯·惠普,阿塔納斯·斯雷布雷夫,瑪納爾·埃爾-費圖里,安東尼·達維多夫,J·R·埃斯波西托,羅納克·帕塔尼,特雷弗·范烏登,凱特·尼科爾斯,王可欣,德雷克·莫斯,萊斯·韋爾登,馬克斯·克勞斯,艾登·霍萊特,尤安·邁克納頓,沃利扎·比尼夫

  一個手忙腳亂的父親(莫羅尼 飾)購買了一個家政服務機器人(福克斯 飾)來幫忙打理家務、照顧家人,然而隨著機器人的意識覺醒,一家人反而陷入了危機之中……

此時此地

蒙·康菲多,Lesley Lina,Yukihiko Mizomoto,尾野真千子,曼尼·帕奎奧,田邊桃子,Lou Veloso,Buboy Villar,結城貴史

職業拳擊手神山英次在菲律賓試圖東山再起,卻始終未能獲得比賽機會,轉眼已至不惑之年。就在此時,長期失聯的女兒桃子突然造訪,命運的齒輪由此轉動。失去母親后無處可去的桃子,漂洋過海來投奔父親。   異國菲律賓的屋檐下,這對父女開始了生澀的同居生活。血緣的羈絆難以輕易填補十余年的空白,兩人笨拙地摸索著親子關系的形狀。   女兒身上總帶著“另一個自己”的影子,這段充滿磕絆卻暗藏溫情的日常,讓曾經視野狹隘的神山逐漸學會環視周遭——塬來注視著他的,不止是桃子,還有更多人的目光……   當比賽機會奇跡般降臨,英次為贏得屬于他們的容身之處毅然踏上擂臺。這部以拳擊為背景的作品,最終講述的是關于“父”與“子”共同成長的生命物語。

看不見的他們

和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇

  一場車禍后,林月家里怪事連連,全身冰冷的姐姐,鏡子里看不見家人的身影,黑夜里爸爸窺探的雙眼,每天凌晨閣樓傳來的彈珠聲,林月循聲而上,當閣樓的門被打開,卻發現里面緊鎖的卻是自己的遺像……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

冊殺

牛駿峰,尚語賢,白恩,王奎榮,胡耘豪,李光復,喻亢,馬渝捷,徐筠,鄧志浩,鄔倩,曲戈,陳俊安,姜琦,時銘健,朱海軍

  李氏家族不曾向外界開放的藏書樓臨淵閣突然遭竊,偵探白飛受邀前來協助調查。在神秘的密室現場,他發現這看似普通的盜竊案背后危機四伏,人人都似乎懷揣著不可告人的秘密。