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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
隔壁的星光
福本莉子,八木勇征,倉悠貴,橫田真悠,西垣匠,田鍋梨梨花,清水美沙,宮崎吐夢,紺野真晝,野波麻帆,濱野謙太本片改編自同名漫畫，講述了以當紅年輕演員的身分開始邁向明星之路的柊木昴（八木勇征 飾），以及他青梅竹馬的女高中生天野千明（福本莉子 飾），有著“明星和素人”這種令人著急的關系的超王道愛情故事。
遮天劇場版背棺戰王騰
葉凡與王騰雙天驕宿命對決，北原王家來勢洶洶，姬家老祖心懷鬼胎，姬紫月淪為家族聯姻工具，葉凡身陷眾矢之的。荒古圣體碰撞亂古傳承，誰才具真正大帝之姿？
秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈改編自新海誠創作的同名動畫電影，講述了一段跨越時間與距離的青澀愛情與成長故事。
陰山禁地
戴向宇,杜奕衡,朱凌霧,張舜迦,李偉龍,于寶坤,安巴,李易衡影片講述了上世紀80年代發丘傳人賈凡（戴向宇 飾）利用祖傳秘術智斗摸金校尉吳老大（杜奕衡 飾）守護發丘老祖之墓的熱血故事，表現了邪不壓正的主題思想。
地窖2024
斯科特·斯比德曼,喬丹娜·布魯斯特,勞倫斯·菲什伯恩,克里斯·康納,Katie O'Grady,珍妮·林·田,Randy Sean Schulman,杰薩爾·蘭達瓦索,Naiya Amilcar,凱爾·斯托爾茨,Zach Feiner,Kiah Butts一對夫婦在流產后想要重新開始，他們發現自己得到了夢寐以求的房子，但有一個條件--他們永遠不能打開地窖的門。他們能否在不知情的情況下生活下去，這引發了令人震驚的后果。
去海邊的路
原田琥之佑,麻生久美子,高良健吾,唐田英里佳,菅原小春本片改編自同名漫畫，背景設定在提倡支持藝術家移居的海邊城市，講述了悠哉生活的14歲美術社員奏介和他的伙伴們，在奇怪的“藝術家”們來來常常的海邊街道上，一邊做著自己喜歡的東西，一邊用無限的想象力讓世界變得愉快。