性愛沉默
ChangHye-ryun,anOrientalpaintingartistlivinginLosAngeles,meetsMarianne,apsychoanalyst.MarianneisenthralledwithHye-ryun'spaintingsandhermysteriousbehavioranddecidestolearnpaintingfromher.Hye-ryungoestoapartywithMarianneandmeetsamannamedCharles.Ontheirwaybackfromtheparty,Hye-ryunandMariannearekidnappedandrapedbyagroupof..haiwaiyingyuan
即刻觀影
劇情賞析
編輯推薦
飛行家2025
蔣奇明,李雪琴,董寶石,姜武,楊玏,蔣易,雷佳音,董子健,王彥霖,歐劍宇,英澤,鄭昊森,周鐵男,鵬飛,韓秀一,周小川,郝奕鳴,趙海濤,鞠可兒,劉亦淳影片講述東北“犟種”李明奇（蔣奇明 飾）和他的妻子高雅風(fēng)（李雪琴 飾）如何用一輩子的時(shí)間，守護(hù)一個(gè)“飛上天”的大夢(mèng)想。在生活的重壓下，這個(gè)夢(mèng)想時(shí)而成為謀生的工具，時(shí)而又成為照亮絕境的唯一光芒。為了托起沉甸甸的生活，李明奇從599米的高空一躍而下，對(duì)命運(yùn)做出勇敢反擊。
眠山怪影
Herbert M. DawleyIn a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.
筆仙大戰(zhàn)貞子
思雨,孫靜雯,楊青霖,黃佳軍,張冰倩,鄭躍,雷鳴,袁國綱,張磊,曹云青,周以諾,馮惠,崔博涵圣涵高中同寢室的三姐妹，經(jīng)常被學(xué)姐微微欺辱，不堪忍受的三人為了報(bào)復(fù)微微，將一段被詛咒的死亡視頻發(fā)給了她，至微微死亡。然而，姐妹三人也難逃貞子纏身的詛咒，室友莉娜離奇死去。走投無路的兩姐妹，決定請(qǐng)筆仙幫忙對(duì)付貞子，不料卻招來了另一個(gè)強(qiáng)大的惡靈，中日兩大女鬼大戰(zhàn)一觸即發(fā)……
洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯洛基?巴爾博厄(西爾維斯特?史泰龍 Sylvester Stallone 飾)是費(fèi)城的過氣拳擊手。他空有拳擊熱忱，卻只混雜于三流拳擊賽中。一天，他對(duì)售貨員艾黛麗安（塔里亞?希雷Talia Shire 飾）一見傾心，雖然這個(gè)姑娘長相一般，性格內(nèi)向，卻毫不阻礙洛奇對(duì)她愛得熾熱。愛情得意，事業(yè)也開始一路暢通。為了慶祝美國建國200周年，當(dāng)?shù)嘏e辦了一個(gè)拳擊比賽，勝出者將獲得15萬美元的高額獎(jiǎng)金。美國一個(gè)拳擊巨星在比賽中受了傷，主辦方選中了洛奇去上演一場“灰姑娘”式的比賽，大敵當(dāng)前的同時(shí)，也是洛奇事業(yè)轉(zhuǎn)機(jī)、大顯身手的良機(jī)。洛奇在賽場上苦撐15回合，在面腫血流之際，會(huì)不會(huì)有奇跡的發(fā)生？
紫禁城
劉亞西,恩里科·博雷洛,薩布麗娜·費(fèi)里利,馬可·賈利尼,盧卡·津加雷蒂,淳于珊珊In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.