影片推薦
告別武器
海倫·海絲,加里·庫珀,阿道夫·門吉歐,瑪麗·菲利普斯,杰克·拉魯,布朗什·弗雷德里克,瑪麗·福布斯,吉爾伯特·埃默里,愛麗斯· 亞岱爾,亨利·阿爾梅塔,赫爾曼·賓 ,Agostino Borgato,Robert Cauterio,瑪塞勒·科爾代,基諾·科拉多,George Humbert,威廉·歐文,多麗絲·勞埃德,弗雷德·馬拉泰斯塔,保羅·波爾卡西,Tom Ricketts,Frederick Sullivan披薩電影
伽塔·馬塔拉佐,莎拉·謝爾曼,露露·威爾遜,肖恩·吉布朗尼,馬庫斯·斯克里布納,凱萊布·希倫,佩頓·伊麗莎白·李,小克里斯·施密特,杰克·馬丁,Shiv Pai,Adam Herschman,瑞安·米喬,Aidan Micho,Lucas Zelnick,Luke Burke,Chelsea Matkins,Tommy Armstrong,Lydia Hynes,Hyde Healy,Miguel-Andres Garcia開著我的房車去旅行
秦宇,李芷珺,姿娜,王坤炎黃金七令之羅剎風云
任子豪,何雨宸,李子雄,李家辛,徐俊,謝昌定,朱翔,曹憶,錢婧睿,張宸彬,高迦瀾,曾慶生,范奇死亡陰影
Gilles Barret,Margaux Devy,Sylvain Dubois防空洞
維羅尼卡·莫希雷娃,伊戈爾·別特連科,Fyodor Lavrov,Mikhail Novikov,阿列克謝·舍甫琴科夫,亞歷山大·梅喬金,Maksim Saprykin,瑪格麗塔·阿布羅斯金,Nikita Abdulov,迪安·邁耶,Oleg Novikov,Artem Zlobin,Kirill Taskin,Andrey Marusin,Maksim Plekhanov,Maksim Gorshkov,Mikhail Sevastyanov,Daniel Littau,Linda Akhmetzyan同類精選
劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes落葉球
David Koberidze,Otar Nijaradze靈魂燈籠
Hoang Kim Ngoc,Phu Thinh,Diem Trang同盜中人第二季
新·胡鬧將軍
松平健,西畑大吾,生瀨勝久,高島禮子,藤間爽子,小澤征悅,勝村政信,小野武彥,木村了,駒木根葵汰,內藤秀一郎,神威樂斗鏡中人
英迪婭·埃斯利,詹森·艾薩克,佩內洛普·米契爾,米拉·索維諾,哈里森·吉爾伯特森,克里斯汀·哈里斯,亞當·哈蒂格,康納·彼得森,辛蒂·邁斯科影視排行
邊境戰爭2
瓦倫·達萬,桑尼·戴爾,迪爾吉特·多桑,阿汗·謝迪,Hariom Kalra,莫娜·辛格,索納姆.巴吉瓦,Medha Rana,Ali Hassan,Anya Singh,帕蘭維爾·切瑪,阿努拉格·阿羅拉,Ishika Gagneja,Sudesh Berry,Gaurahha Ujjwal,Vaquar Shaikh,Karan Maan1971年印巴戰爭期間,年輕的印度戰士準備保護自己的家園免受更大的威脅。
月球叛軍2:烙印之人
索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯延續第一部的史詩故事,柯拉(索菲亞·波多拉 Sofia Boutella 飾)與幸存的戰士準備好豁出一切,與勇敢的碧草星居民并肩作戰,即使村落不復往日和平,仍是對抗母星失敗的人們尋得的新家園,這一切,就靠他們來守護。最終大戰前夕,這群戰士必須面對各自的過往,也揭露他們究竟為何而戰。當叛軍勢力星火燎原,王國大軍傾巢而出準備平息動亂,戰友情誼益發堅定,英雄嶄露頭角,不朽傳奇也于焉誕生。
穿越者之異夢空間
馬文強,寧丹琳,果靜林是一個融合現代科技、維度穿越、動作、喜劇、燒腦等流行元素的美劇式故事。宇宙萬物,存在于不同的時間與空間中,稱之為“時空”,各個時空彼此平行,永不交錯,除非,在兩個平行空間中,出現了兩個完全吻合的斷點...夢是什么?如果夢是時空中的平行線,那現實又是什么? 影片將于2016年2月26日在愛奇藝獨家播映!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.