即刻觀影
劇情賞析
編輯推薦
老兄救命
普拉迪普·蘭加納坦,Mamitha Baiju,R. Sarathkumar,羅希尼,赫里杜·哈龍,Dravid Selvam
看不見(jiàn)的守護(hù)者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López西班牙驚悚片。根據(jù)西班牙懸疑推理小說(shuō)家多洛蕾絲·雷東多的代表作巴斯坦三部曲之《隱形守護(hù)者》，這是近年來(lái)西班牙最轟動(dòng)的犯罪懸疑小說(shuō)，比《沉默的羔羊》《犯罪心理》更驚悚，已經(jīng)高踞西班牙暢銷書(shū)排行榜長(zhǎng)達(dá)三年之久，講述巴斯克地區(qū)的一起連環(huán)殺人案。一名曾受過(guò)聯(lián)邦調(diào)查局訓(xùn)練的警察回到位于納瓦拉的家鄉(xiāng)，追捕一名專以當(dāng)?shù)厍嗌倌隇槟繕?biāo)的殺手，還得面對(duì)自己過(guò)去的心理創(chuàng)
野蠻的囧妃：時(shí)空黑洞
袁曉旭,張嘉佑,胡浩帆,黃一山一個(gè)關(guān)于“時(shí)間膠囊”的機(jī)密研究項(xiàng)目，因能量塊失竊陷入危機(jī)，引發(fā)了一系列時(shí)空穿越事故?，F(xiàn)代人蘇寶銀意外接觸到形似手機(jī)的能量塊，流離于古代異時(shí)空和二十一世紀(jì)現(xiàn)代兩個(gè)世界之間，美顏國(guó)王爺霍靖及兩個(gè)隨從為尋找她，也被意外卷入時(shí)空黑洞闖入現(xiàn)代。三個(gè)古代呼風(fēng)喚雨的王爺將軍，走入了完全陌生的現(xiàn)代世界，陷入囧境啼笑皆非?；氐浆F(xiàn)代的蘇寶銀在思念王爺?shù)耐瑫r(shí)，遇上了英俊睿智的孫警官，這背后又隱藏著什么樣的驚天陰謀呢？當(dāng)正義戰(zhàn)勝邪惡，當(dāng)一切終結(jié)，蘇寶銀又回到了原點(diǎn)，再遇她的愛(ài)人，卻已形如陌路......
分裂: 黑色子彈
山姆·文森特,Dexter Bell,William 'Big Sleeps' Stewart,凱倫·霍爾尼斯,多隆·貝爾,Porsha Pointner,莎倫·泰勒,杰西·哈奇,塔米·吉利斯,Christina Lewall,Blaine Anderson,Jason Bell,Gagun Chhina,James Coupland,Brenda Crichlow,布拉德·凱利對(duì)警察槍擊、種族主義和他們共同的聯(lián)系進(jìn)行原始的、毫無(wú)歉意的審視。沒(méi)有說(shuō)明我們知道答案，但不害怕直接提問(wèn)。
母親2009
金惠子,元斌,晉久,尹宰文,全美善,宋清晨,千玗嬉,鄭煐禥,高圭弼,李美度,樸明申,李?yuàn)捽?/span>因?yàn)閮鹤右┯睿ㄔ?飾）是智障，所以母親（金惠子 飾）總是擔(dān)心他受傷。一天，泰宇被一輛奔馳車(chē)撞倒，朋友鎮(zhèn)泰（秦久 飾）帶他去高爾夫球場(chǎng)找打球的教授報(bào)仇，結(jié)果被帶回了警局。因?yàn)殒?zhèn)泰踢壞了后視鏡，教授向他們索賠，泰宇被當(dāng)成了擋箭牌。 從警局出來(lái)后，在家吃過(guò)晚飯，泰宇去找鎮(zhèn)泰喝酒，但此時(shí)鎮(zhèn)泰趁著夜色回到球場(chǎng)找出了白天扔進(jìn)湖中的球桿。泰宇酒后尾隨一個(gè)名叫文雅中的女學(xué)生，結(jié)果第二天雅中的尸體就出現(xiàn)在屋頂。泰宇被當(dāng)做唯一的嫌疑人帶回了警局，接著在警察的威脅下畫(huà)押認(rèn)罪。得知兒子入獄，心急如焚的母親委托著名律師為他翻案。但是，泰宇的病影響了他的記憶，母親在替兒申冤的道路上步履蹣跚……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.