ふりむいて！もか先生 林田百加寫(xiě)真

　　天才科學(xué)家大衛(wèi)創(chuàng)造了世界首具擁有高度人工智慧的機(jī)械人亞當(dāng)，并邀請(qǐng)當(dāng)紅的科技雜志記者蕎依，進(jìn)入實(shí)驗(yàn)室進(jìn)行一週的近距離專訪。在採(cǎi)訪的過(guò)程中，蕎依深受聰明又充滿抱負(fù)的大衛(wèi)吸引，萌生情愫的兩人開(kāi)始越走越近，而將一切看在眼裡的亞當(dāng)，竟產(chǎn)生如人類般的忌妒情緒，行為更變得有些怪異與偏激...

　　In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction?　　在一個(gè)小的農(nóng)村社區(qū)，當(dāng)?shù)鼐熳粢梁团撂乩锟碎_(kāi)始正常換班，但很快就清楚出了問(wèn)題。奇怪的事情展現(xiàn)在他們眼前，居民開(kāi)始奇怪的行為，大規(guī)模的自殺恐慌在他們?cè)噲D保護(hù)的社區(qū)中蔓延。佐伊和帕特里克意識(shí)到，當(dāng)他們與外界隔絕時(shí)，他們正受到外來(lái)機(jī)器的圍攻。他們被迫與這些不速之客作戰(zhàn)。在一些居民的幫助下，佐伊和帕特里克開(kāi)始解開(kāi)這個(gè)謎團(tuán)，很快發(fā)現(xiàn)它并不像看上去的那樣。佐伊和帕特里克能拯救他們的社區(qū)和外部世界免于滅絕嗎？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　在蟲(chóng)族突襲布宜諾斯艾利斯之后，聯(lián)邦軍隊(duì)發(fā)動(dòng)反攻，在坦戈約里擊潰蟲(chóng)族，并在P行星虜獲蟲(chóng)族首領(lǐng)。在此之后，聯(lián)邦軍隊(duì)乘勝追擊，派大軍殺向蟲(chóng)族隔離區(qū)。殘酷的戰(zhàn)斗沒(méi)有止境，機(jī)動(dòng)部隊(duì)第6戰(zhàn)隊(duì)遭到蟲(chóng)族圍攻，苦盼救援部隊(duì)不得，眼看滅亡在即。關(guān)鍵時(shí)刻，第6戰(zhàn)隊(duì)首領(lǐng)夏普德將軍（埃德·勞特 Ed Lauter 飾）與幾名士兵吸引蟲(chóng)族，命令霍頓（Jason-Shane Scott 飾）、珊蒂余下的戰(zhàn)士前往最近的祖魯角哨站避難。此前，該哨站已經(jīng)廢止，所有人員全部死亡，只有一名中尉幸存。在這個(gè)隔絕之地，戰(zhàn)士們進(jìn)行最后的抵抗……　　本片為《星河艦隊(duì)》的第一部續(xù)集，拍攝完畢后直接發(fā)行DVD。