色欲之死4:巫女大對決

? 8.0 播放：84萬 2026-06-11

主演：友松直之/

全世界突然爆發了男性強暴魔化，原因依舊不明，世界人口急速銳減，人類存續開始迎向絕望……5年前，在東京秋葉原帝國大戰中，希美沒能守護桃艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。此后，希美搭乘科學家琉璃子所開發的時光機回到過去，與改造人安妮進行多次激戰，但即使不停回到過去，仍無法拯救桃子。如果能改變過去發生的事，或許就能讓這個世界恢復原樣。拯救桃子與這個世界或許還有點希望，于是，希美決定再度回到過去……

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? 播放色欲之死4:巫女大對決

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雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol

迷宮之栞

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Melanie Liburd,Kiah McKirnan,Ireon Roach

不良街區

張本煜,黃塏翔,劉揚,町田悠宇,粘土大介

從此以后

康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco

茱莉婭的眼睛

貝倫·魯埃達,路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉

幕后花絮

別怕，是我

十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現在她家後院，請求她讓自己暫時藏匿。莉茲竟答應幫忙，但前提是要她老公不在家。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

色欲之死4:巫女大對決

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