代替出軌的妻子抱著的岳母

我最特別的朋友

真正的友情從無關身份，而是兩個迷茫的靈魂恰好相互照亮。生活失意的老鄭與無處可去的亮亮相遇，老鄭意外成為網(wǎng)紅，而亮亮成了他身邊最堅定的搭檔。                                                                      　　兩人一路同行，也在彼此的生命中照進光芒。一段身份懸殊的特殊友誼，在笑淚交織中悄然生長。                                                                      　　然而，當老鄭在流量中逐漸迷失走向失控，這段關系也迎來了前所未有的考驗……他們，能否成為彼此最特別的那束光？

陰陽眼見子2025

　　改編自泉朝樹創(chuàng)作的同名暢銷漫畫，講述女高中生突然發(fā)現(xiàn)自己能看到鬼魂，她選擇假裝看不見，即使同學被鬼魂纏身，她也視而不見。她能通過這種方法克服這場危機嗎？

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

追殺51號

　　未來巴黎，階層鴻溝割裂都市。超腦Alma執(zhí)掌秩序，其創(chuàng)造者暴斃后，警探薩利亞聯(lián)手澤姆揭開顛覆割裂世界的驚天謎團。

19 十九

廢世界

　　故事設定在《廢頭》世界的1042年前，以機器人“羅賓”作為主角。羅賓原本作為護衛(wèi)，隨同調(diào)查隊長特里斯前往地下世界調(diào)查異常情況。盡管肩負保護特里斯的使命，但調(diào)查隊卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下，調(diào)查隊陷入苦戰(zhàn)。然而，在這場激烈的交鋒中，他們發(fā)現(xiàn)了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。

黑暗之中

　　Vertical Entertainment取得娜塔莉·多默爾、艾德·斯克林主演影片[黑暗之中](In Darkness，暫譯)的北美發(fā)行權，該片由安東尼·拜恩執(zhí)導。該片講述盲人女孩索菲亞(多默爾飾)偶然聽到樓上有打斗之聲。實際上樓上的維羅尼卡已遭人陷害。而索菲亞也無故卷入一場黑暗事件中。該片預計今年5月北美上映。