劇情縱覽
一名在大學(xué)期間遭受可怕和羞辱性欺凌的女艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。為了懲罰她準(zhǔn)備多年的兇手,她傲然出現(xiàn)在他們面前,一場(chǎng)淫蕩的復(fù)仇之舉展開(kāi)
一名在大學(xué)期間遭受可怕和羞辱性欺凌的女艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。為了懲罰她準(zhǔn)備多年的兇手,她傲然出現(xiàn)在他們面前,一場(chǎng)淫蕩的復(fù)仇之舉展開(kāi)
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暴雨將至,轟隆隆的聲音夾雜著人群的呼喊聲砸向操場(chǎng),正在參加小學(xué)田徑比賽的唐平安重重的摔倒在地面,當(dāng)母親李枚趕到醫(yī)院時(shí),醫(yī)生卻給了再生一個(gè)孩子做骨髓移植的建議,李枚怔怔的站在深不見(jiàn)底的樓道,像是對(duì)她過(guò)去十幾年最好的懲罰,故事從這里開(kāi)始。十幾年前,李枚在計(jì)劃生育政策下為了生二胎,不得不將襁褓中的女兒歲歲遠(yuǎn)送他鄉(xiāng)親戚,不料幾年后,漸漸成熟的歲歲卻成了猥瑣養(yǎng)父趁女兒洗澡時(shí)偷偷窺視的對(duì)象,看上去多余的歲歲在一次爭(zhēng)吵后離家出走,流浪的女孩卻遇到了新的“父親”劉建凱,一個(gè)住在船上打漁為生的男人,以父女相稱(chēng),看起來(lái)生活就這么好起來(lái)了。幾年后,突然一個(gè)陌生的女人闖入歲歲的生活,自稱(chēng)姑媽。其實(shí)是李枚兒子平安突發(fā)白血病以后,他們想起了被自己拋棄的女兒,通過(guò)當(dāng)年的一絲聯(lián)系,輾轉(zhuǎn)找到了女兒歲歲,這是這個(gè)家庭唯一的希望。只是女兒歲歲似乎早已經(jīng)知道了真相,他們互為朋友,互相試探,互相利用,最終他們都要回家,可是歲歲的家到底在哪里?
一個(gè)三十多歲的男子在大城市謀生,為了走出混亂的生活,無(wú)意識(shí)地想象出一個(gè)幻想與現(xiàn)實(shí)并存的世界。
十八歲女孩瑪麗亞(英迪婭·埃斯利 飾)經(jīng)常受到同學(xué)欺負(fù),使她變得自卑,害怕。有一天她發(fā)現(xiàn)鏡子里的另一個(gè)她,艾蘭。 艾蘭(英迪婭·埃斯利 飾)既勇敢又無(wú)畏,幫助瑪麗亞開(kāi)啟了復(fù)仇之路......