即刻觀影
劇情賞析
編輯推薦
四面三角
Barbara Payton,James Hayter,Stephen Murray
第27天生死劫
吉恩·巴瑞,Valerie French,喬治·沃斯科維奇,阿諾德·莫斯,Stefan Schnabel,拉爾夫克蘭頓,Friedrich von Ledebur,保羅·伯奇
停滯
Dan Palmer,Tamaryn Payne,Mark Holden講述一個看門人被困在一個女廁所,遇到一批僵尸的攻擊……
野狼防衛戰
維林斯·豪塞爾,博·霍普金斯,喬治·肯尼迪,金伯莉·貝克,布里翁·詹姆斯科學家們在一個小鎮的供水系統中下毒,把居民變成殺人狂魔,他們互相殘殺,任何人都能通過。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
超聲
文森特·卡塞瑟,切爾西·洛佩茲,布瑞達·伍爾,滕德·艾德比佩,蕾妮·庫利,鮑勃·斯蒂芬森,達娜·林恩·拜倫,Jim Boeven,Chris Dougherty,波特·琳·楊,Tony Evangelista,達維達·威廉姆斯,馬克·伯恩漢姆,Cheryl Dent,Gabe FonsecaDriving home late at night during a heavy rainstorm, Glen experiences car trouble. Near where his car gets stuck, he spots a house, knocks on the door and is greeted by an oddly friendly middle-aged man, Arthur, and his younger wife, Cyndi. The strange couple pours him a drink, and then more drinks, followed by an unexpected offer that Glen can’t refuse. Elsewhere, a young woman, Katie, is feeling emotionally weighed down by a secret romantic arrangement that feels like a textbook case of gaslighting. And at the same time, in a nondescript research facility, medical professional Julie begins questioning her role in a bizarre experiment, fearing that she’s doing more harm than good.