流人

　　Jane is trapped in an unknown world with endless possibilities. She has to discover a way to access them and alter her reality before she is destined to repeat the same test over and over again, Ad Infinitum.

　　到2068年，地球上的臭氧消失了，因此，猛烈的、無法控制的風(fēng)暴正在夷平它的表面。一小群軍事幸存者是人類的最后的捍衛(wèi)者,當(dāng)隊長約翰庭院是找到一份工作前戰(zhàn)友拉皮埃爾,他現(xiàn)在是受雇于帝國,一個eco-profiteer,為了拯救他的父親和其他幾位幸存者中庭同意。他和一小群雇傭兵要闖入幾乎不可滲透的文森特遺產(chǎn)和找回?zé)o價的“藝術(shù)”，儲存在那里的啟示之前。但是有一種致命的電腦控制的防御系統(tǒng)叫做“加密”，他們必須繞過它，還有一個殺手機(jī)器人叫做Rook &類似人類的全息安全主管Diana，她掌握著地球完全毀滅的鑰匙——或者說是完全的拯救。

　　為了謀生，一名失業(yè)的畢業(yè)生在深夜偷偷將一名女性尸體運(yùn)往西原。在旅途中，他面對了一個充滿不安靈魂的超自然世界、一個他渴望的神秘女孩，以及與他駕駛的救護(hù)車有關(guān)的黑暗真相。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.