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文淇,秦海璐,白客,李雪琴,牛莉,劉佳,啜妮,王和,張馨文,張懿曼,黃少峰,李哲霆,黃博遠(yuǎn),李冠廷,劉杰毅,合文俊,翟韜00后“母單”女孩兒許可（文淇 飾）面臨一場(chǎng)迫在眉睫的婦科手術(shù)，卻因媽媽胡春蓉（秦海璐 飾）的突襲式造訪打亂了所有計(jì)劃。母女同居，沖突乍起。在新舊觀念的摩擦中，沒想到女兒對(duì)媽媽展開了一次又一次反向教育——跟媽談心，不如帶媽蹦迪；給媽上生理課，不如直接送媽小玩具……最終許可能否順利手術(shù)，胡春蓉又能否鼓起勇氣開始新生活？這場(chǎng)笑點(diǎn)和淚點(diǎn)齊飛的大戲，又將如何重塑兩人之間的母女關(guān)系……
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
密林諜影
康磊,馬亞楠,徐箭,梁笑,施駿喆,馬丹赫,張京生,宋禹,張貴生,穆佳男1940年，北滿抗聯(lián)獨(dú)立大隊(duì)屢遭日軍追襲，被迫在深山老林中不斷轉(zhuǎn)移，對(duì)外聯(lián)系也已被日軍切斷。地下黨龍澤群獲知日軍間諜獨(dú)狼已潛入獨(dú)立大隊(duì)，一場(chǎng)驚心動(dòng)魄的鋤奸行動(dòng)就此展開……該片展現(xiàn)了北滿地區(qū)社會(huì)各界人士團(tuán)結(jié)一致，反抗侵略的偉大精神。
杜塞
瓦萊麗亞·布魯尼·泰德斯基,諾米·梅蘭特,文森佐·內(nèi)莫拉托,范尼·伍羅奇納,福斯托·魯索·阿萊西,馬切羅·馬扎雷拉,文森佐·皮羅塔,費(fèi)德里科·帕西菲奇,選填,Iacopo Fanelli,Gaja Masciale,文琴察·莫迪卡,米莫·博雷利,Edoardo Sorgente,薩維諾·帕帕雷拉,Vincenzo IantornoA portrait of actress Eleonora Duse.
飛行家2025
蔣奇明,李雪琴,董寶石,姜武,楊玏,蔣易,雷佳音,董子健,王彥霖,歐劍宇,英澤,鄭昊森,周鐵男,鵬飛,韓秀一,周小川,郝奕鳴,趙海濤,鞠可兒,劉亦淳影片講述東北“犟種”李明奇（蔣奇明 飾）和他的妻子高雅風(fēng)（李雪琴 飾）如何用一輩子的時(shí)間，守護(hù)一個(gè)“飛上天”的大夢(mèng)想。在生活的重壓下，這個(gè)夢(mèng)想時(shí)而成為謀生的工具，時(shí)而又成為照亮絕境的唯一光芒。為了托起沉甸甸的生活，李明奇從599米的高空一躍而下，對(duì)命運(yùn)做出勇敢反擊。
狼人2025
克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_(dá)·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德布雷克（克里斯托弗·阿波特 Christopher Abbott 飾）是一名住在舊金山的丈夫和父親。當(dāng)他自己的父親失蹤并被判定死亡之后，他繼承了他位于俄勒岡州鄉(xiāng)下偏遠(yuǎn)地區(qū)的童年老家。當(dāng)他和他事業(yè)有成的女強(qiáng)人妻子夏莉特（朱莉婭·加納 Julia Garner 飾）的婚姻逐漸走向破裂，布雷克就說服夏莉特帶著他們年幼的女兒金潔（瑪?shù)贍栠_(dá)·弗 思 Matilda Firth 飾）一起離開城市，前往他的童年老家度假。 但是當(dāng)這一家人在深夜來到這座農(nóng)舍時(shí)，他們突然遭到一只看不見的怪獸攻擊，為了逃離危險(xiǎn)，他們就躲進(jìn)農(nóng)舍里面，并且將所有入口封住，而那只怪獸則在外面徘徊。當(dāng)他們驚懼地試圖度過漫漫長(zhǎng)夜時(shí)，布雷克卻開始出現(xiàn)奇怪的舉動(dòng)，而且逐漸變成一種不知名的怪物，于是夏莉特就被迫必須決定：到底是屋內(nèi)的恐怖更致命，還是外面的危險(xiǎn)更可怕？