被刻上淫紋的精靈

評分：0.3 播放：53萬 更新：2026-06-07
主演： 未知/

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7號房的禮物

柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達洙,樸元尚,鄭滿植,葛素媛

 1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長的女兒。龍久懵懂無知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號牢房中，聚集著走私犯蘇楊浩（吳達洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬范（金正泰 飾）、恐嚇犯老徐（金基燦 飾）和搶劫犯申奉植（鄭萬植 飾）等五毒俱全的“社會渣滓”。龍久孩子般純潔的心漸漸感動了這幾個“大壞蛋”，他們甚至不惜冒險將藝勝帶入牢房與父親相會。黑暗冰冷的監(jiān)牢內(nèi)，7號牢房陽光滿滿……

看不見的他們

和佳蓉,毛凡,陳曉霞,孫盈藝,蘇俊宇

　　一場車禍后，林月家里怪事連連，全身冰冷的姐姐，鏡子里看不見家人的身影，黑夜里爸爸窺探的雙眼，每天凌晨閣樓傳來的彈珠聲，林月循聲而上，當閣樓的門被打開，卻發(fā)現(xiàn)里面緊鎖的卻是自己的遺像……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

血腥姐妹會

科林·伊格斯菲德,迪倫·斯派比利,米婭·羅斯·弗蘭普頓,蘭迪·庫卓,萊克西·阿特金斯,Lala Kent,Sarah McDaniel,雷卡·雷內(nèi),梅莉爾·羅斯,泰勒·喬恩·奧爾森,凱瑟琳·勒,塔尼婭,謝伊·巴克納,詹妮弗·提圖斯,Natali Yura

　　智慧與美貌并存的Riley進入大學(xué)后加入了一個人人眼羨的姐妹會，成員都有著維密天使般的臉蛋和身材，可姐妹會中的成員卻相繼死去，被連環(huán)殺人犯取掉身上了一部分做成玩偶，一個想要睡遍姐妹會中所有人的帥哥Carter成為首要嫌疑人，軟件Row的秘密也隨之浮出水面，Riley的媽媽竟曾也是姐妹會的一員 她的死背后隱含著什么秘密