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無處單身
馬蒂爾德·吉奧尼,克里斯蒂亞諾·卡卡莫,阿曼達(dá)·卡帕那,馬可·科奇,塞奇莉亞·達(dá)齊,塞巴斯蒂亞諾·皮加齊,Margherita Rebeggiani,貝博·斯托蒂在一個(gè)田園詩般的托斯卡納小鎮(zhèn)，基安蒂的貝爾維德，所有的女人都結(jié)婚了，或者在尋找完美的丈夫，除了經(jīng)營勒朱焦萊葡萄園的單身母親Elisa。一位多年不見的兒時(shí)好友回到小鎮(zhèn)，讓她的生活天翻地覆，喚醒了她以為已經(jīng)永遠(yuǎn)消失的感覺。
最后的KPI
帕拉帕蒙通·伊埃猜,帕奧佩茨·查倫舒克,查納坎·拉塔納烏東,萍瑪達(dá)·柴莎索恩,黛莉娜·班楚在一家制度嚴(yán)苛的大公司從事人力資源工作的弗倫，日復(fù)一日面試新員工，觀察他們的生活軌跡。與此同時(shí)，她隱瞞了自己剛懷孕的事實(shí)，在是否將孩子帶入這個(gè)不確定世界的掙扎中，逐漸面對(duì)內(nèi)心的恐懼與矛盾。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
生息之地
汪尚,張楚文,張彥榮因父母工作原因，十歲的徐闖一直寄居在鄉(xiāng)下姥姥家，他和堂舅李飽的兒子賴蛋是一對(duì)好朋友。1991年，徐闖經(jīng)歷了家族中的生老病死、婚喪嫁娶，在歲月靜流之中感受著親人之間隱忍又濃烈的情感。那一年的鄉(xiāng)村也在悄然改變……
河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和父親一去不返，原本在城市上班的阿亮，回到被遺忘的沙洲，寄居河邊破房子，在垃圾場打工。島民為土地公抬轎，被丟棄的神明都擠在寺廟中。阿亮發(fā)現(xiàn)神秘紅裙女子漂浮于河上，她似乎有著不堪回首的過去，或許她根本就是河鰻化身？視覺藝術(shù)家朱駿騰首部長片，取景于臺(tái)北市內(nèi)遭限制開發(fā)逾半世紀(jì)的社子島，建構(gòu)如夢似幻的幽靈地帶，以濃烈的符號(hào)和隱喻，展現(xiàn)實(shí)驗(yàn)風(fēng)格，透過一段萍水相逢的奇遇，映照生命的困頓與無常，探索欲望與歸屬。柏林影展視角單元。
承諾2017
楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達(dá)·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri1997年，亞洲金融危機(jī)如同暴風(fēng)雨一般席卷各國，公司倒閉已成尋常，老板富賈逃亡自殺，普通民眾的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 飾）父親所蓋的大樓最終爛尾，遭到父親家暴后，萬念俱灰的布姆和伊布（Panisara Rikulsurakan 飾）相約自殺。陰差陽錯(cuò)，貝爾去往另一個(gè)世界，布姆則茍活人間。 時(shí)光流轉(zhuǎn)，20年后的布姆（楠迪·宗拉維蒙 Namthip Jongrachatawiboon 飾）已成為小有名氣的房地產(chǎn)企業(yè)家。某天，她帶著女兒貝爾（安比查雅?松可寒 Apichaya Thongkham 飾）再次來到當(dāng)年和朋友自殺的爛尾樓。頑皮的貝爾四處游蕩，撿到了母親當(dāng)初和伊布溝通的BP機(jī)。殊不知，一個(gè)孤獨(dú)的靈魂已在此等候多年，只為了踐行未完的承諾……