黑色戀情
一對基友住在一起,而男一號和男二號兩個人的顏值相差甚遠，男主經常沾花捻草,可以說男一號就是一朵鮮花,而男二號就基本是牛糞類型只能淪落到陪襯這個檔艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。后來，男主碰到了女主，而女主角則是一個顏值非常高的妹子,同時和男2也相識了之后，他們三個成了很好的朋友，并一起租房子住，而且睡在一張床上，可悲的是，每次睡覺的時候，男二號睡著了，男主和女主就在他旁邊愛愛。但是因為一些分歧最終還是分開了,但是男二號這種好心腸男人在這個時候就體現了自己的作用,那就是撮合兩人再次復合。
在線播放
劇情簡介
一對基友住在一起,而男一號和男二號兩個人的顏值相差甚遠，男主經常沾花捻草,可以說男一號就是一朵鮮花,而男二號就基本是牛糞類型只能淪落到陪襯這個檔艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan。后來，男主碰到了女主，而女主角則是一個顏值非常高的妹子,同時和男2也相識了之后，他們三個成了很好的朋友，并一起租房子住，而且睡在一張床上，可悲的是，每次睡覺的時候，男二號睡著了，男主和女主就在他旁邊愛愛。但是因為一些分歧最終還是分開了,但是男二號這種好心腸男人在這個時候就體現了自己的作用,那就是撮合兩人再次復合。
同類好片
隕石
保羅·基爾舍,伊迪爾·阿祖格利,薩利夫·西塞,斯特凡·里多,弗朗索瓦·佩徹,艾爾莎·布尚,Alexandra Thomas,Célie Valdenaire,Valentin Lespinasse,帕特里克·代·瓦萊特,Claire Langmann,Lisa Livane,Lionel Brison,Jean-Paul Charuel,Michel Janson,Antoine Carrard,Sacha Parisot,Reda Mabroum,Lucas Baily,Alexis Bessin大轉折——鏖戰魯西南
盧奇,古月,孫飛虎大怪獸巴朗
野村浩三,園田あゆみ,千田是也,平田昭彥,村上冬樹,土屋嘉男安昂傳奇：最后的氣宗
戴夫·巴蒂斯塔,史蒂文·元,關繼威,杰西卡·馬滕,塔伊加·維迪提,迪·布萊德利·貝克,杰拉爾丁·維斯瓦納坦,羅曼·薩拉戈薩,芙蕾達·平托,南允道,佩塔·薩金特,Dionne Quan馴龍高手：歸家
杰伊·巴魯切爾,Gerard Butler,Craig Ferguson同學會2024
妮娜·杜波夫,比利·馬格努森,鄭智麟,蔡斯·克勞福德,黛安妮·尹,艾米·戴維森,吉莉恩·貝爾,里爾·萊爾·哈瓦瑞,西沃恩·墨菲,邁克爾·希區柯克,卡桑德拉·布萊爾,John Paul 'Juice' Caballero,Tommy Lee Ward Jr.導演精選
風雪飄搖
故事背景發生在抗日戰爭時期，主角郭東是一名獸醫，他的妻兒慘遭日本兵殺害，從此躲到了草原邊陲的一個小鎮上，過著惶惶不可終日的生活。郭東的自暴自棄使得他與當地人產生許多矛盾。就在此時，一名蒙古族孕婦的生命危在旦夕，眾人無奈之下求助郭東，郭東在新生命的洗禮和蒙古族戰士的感染下，重新明白了"英雄"的意義，完成了自我救贖。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵戰狂徒
故事圍繞緝毒警察何光辰（鄭楚一飾）追查“將軍”販毒集團展開。一群“鬼面”狂徒黑吃黑劫走毒品，而幕后主使竟是何光辰的警校摯友（鄒兆龍飾），兩人從并肩立誓到正邪對立，上演刺刀見紅的生死博弈。劇情通過血腥動作場面和兄弟反目的人性掙扎，揭露黑惡勢力真相，最終將罪惡繩之以法。