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走心男
權(quán)相佑,文彩元瘋狂舞蹈辦公室
廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮(zhèn),安桐丘,尹善賢,申藝燦全面營救
魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin倚天屠龍記之魔教教主
李連杰,張敏,邱淑貞,黎姿,洪金寶,吳鎮(zhèn)宇,吳耀漢,曹榮,閆懷禮,梁家仁,鄒兆龍,田啟文,張春仲,姬麒麟好孩子2025
許瑞奇,周智慧,洪慧芳,路斯明,吳清樑,劉怡伶大廚
讓·雷諾,邁克爾·揚(yáng),Rapha?lle Agogué,朱利安·波義塞利爾,莎樂梅·斯蒂文寧,Serge Larivière人氣佳作
身在其中
艾莉森·帕拉迪絲,Jean-Baptiste Tabourin,Claude Lulé,Dominique Frot,娜莎麗·羅賽,Fran?ois-Régis Marchasson,碧翠斯·黛爾,Hyam Zaytoun,塔哈·拉希姆,Emmanuel Guez,盧德維克·伯特希爾克,Emmanuel Lanzi,尼古拉斯·迪佛休爾,艾曼·賽義迪周二謀殺定律
亞歷克斯·加西亞,茵瑪·奎斯塔,阿娜·瓦格納,卡拉·坎普拉,貝倫·洛佩茲,戈?duì)柨āとR斯奧薩,Mia Zafra,Carmen Ruiz,Xavi Lite,保羅·皮雷,貝爾·蒙特羅,Saida Benzal,阿德里亞諾·卡瓦略,路易莎·加瓦薩,拉克爾·佩雷斯,Romeu Runa,Elsa Galv?o,佩德羅·卡薩布蘭科,Tiago Sarmento,Marga Arnau透明人與蠅男
北原義郎,品川隆二,葉順子,毛利郁子,南部彰三,見明凡太朗好想大聲說我愛你
李先時,伍月,顏丹,博弘,任青安,史恩旗,簡佳琳導(dǎo)演精選
限時拯救
快退休的警探肖被威脅兒子將被連環(huán)殺手活埋。他必須按照匪徒的要求快速解決三起謀殺案,才能得到兒子獲救的線索。
咒物尋兇
丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅,卻在此地慘遭殺害,所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠椋驗(yàn)樘┑抡窃撛旱囊幻t(yī)生。然而,案發(fā)后不久,嫌疑人就被發(fā)現(xiàn)死亡。一年后,丹妮的雙胞胎盲妹達(dá)茜(Darcy),一個自稱通靈者和詛咒物品收藏家的人,意外拜訪了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多,因此她帶來了她收藏的最危險的詛咒物品,以幫助她復(fù)仇。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.