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暗夜精選
絕世好Bra
古天樂(lè),劉青云,梁詠琪,劉嘉玲,李珊珊,青山知可子,卓韻芝,莫文蔚,谷祖琳,馮德倫,田蕊妮,譚耀文我的朝圣之路
克里斯·海伍德,Jennifer Cluff,Laura Lakshmi劇場(chǎng)靈
島崎遙香,足立梨花,高田里穗,町田啟太,中村育二,小市慢太郎我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯索命舞娘
麥迪·齊格勒,拉娜·康多,艾瑞絲·阿帕托,阿凡提卡·萬(wàn)達(dá)納普,米利森特·西蒙茲,烏瑪·瑟曼,莉迪亞·倫納德,邁克爾·卡爾金,Kate Freund,克里斯蒂安·恰克瓦里,加博爾·納吉帕爾,Julian Krenn,沙哈布·魯巴達(dá),鮑拉日·邁杰里,貝拉·奧爾薩尼,弗朗西斯·麥克伯尼,亞當(dāng)·邦奇,Miklós Béres,Klára Spilák,Gary Cothenet喂,應(yīng)為
長(zhǎng)澤雅美,永瀨正敏,高橋海人,大谷亮平,筱井英介,奧野瑛太,寺島忍麻雀女王追男仔
高海寧,馬國(guó)明,陳家樂(lè),陳靜,邱意濃,許紹雄,郭珮文,李尚正,麥玲玲,林盛斌,戴耀明,程可為,蔡潔,林襄,文佐匡同系列推薦
跳動(dòng)的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪不過(guò)是上班
吳俊霆,李孝謙,安娜,周德華,合文俊,小愛(ài),帕賽,孫天宇,李逗逗,李川,丁冠森,王藝禪,陳思斯天山玉女劍
黃秋燕,溫兆倫,楊麗菁,關(guān)秀媚,湯鎮(zhèn)業(yè),惠英紅,關(guān)海山壯志千秋
理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾讓她走
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard樂(lè)透大作戰(zhàn)
高庚杓,李伊庚,音文碩,樸世婉,郭東延,李俊赫幕后花絮
密林諜影
1940年,北滿抗聯(lián)獨(dú)立大隊(duì)屢遭日軍追襲,被迫在深山老林中不斷轉(zhuǎn)移,對(duì)外聯(lián)系也已被日軍切斷。地下黨龍澤群獲知日軍間諜獨(dú)狼已潛入獨(dú)立大隊(duì),一場(chǎng)驚心動(dòng)魄的鋤奸行動(dòng)就此展開(kāi)……該片展現(xiàn)了北滿地區(qū)社會(huì)各界人士團(tuán)結(jié)一致,反抗侵略的偉大精神。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.