影片推薦
ST紅與白的搜查檔案電影版
藤原龍也,蘆名星,岡田將生,志田未來,瀨戶朝香,渡部篤郎,洼田正孝,林遣都,水上劍星,三宅弘城,柴本幸,田中哲司無懼之愛
協塔朋·平朋,翁韋德·答奴翁,安蘇瑪琳·瑟拉帕薩默莎,卡維·丹扎拉嵐,索姆查·肯格拉,????????????? ???????不可饒恕1992
克林特·伊斯特伍德,吉恩·哈克曼,摩根·弗里曼,理查德·哈里斯,杰姆·沃爾福特,紹爾·魯賓內克,弗蘭西絲·費舍,安娜·萊文,大衛·木西,羅伯·坎貝爾,安東尼·詹姆斯,塔拉·弗萊德里克,貝弗利·埃略特,莉薩·雷波-馬特爾,喬西·史密斯異羽之鳥
賈亞士里,Mahadev Hadapad,Rekha Kudligi戒靈
探魔導師2之王者聯盟
洪冰瑤,李鶴楠,于洛熙,葛天,王炳喬,劉惠,陳招,阿肯,周劍飛,管貞喧,美伊,安龍,Milano,毛秀婷,毛秀玲,齊冰,馬馳,王啟蘅,金韜,趙寅辰,宋曌晗,侯雪艷,殷曉維,何然,祁建國,張天宇,肖磊,萌寶寶,侯耀華,騰奎興,郭憶然,趙英龍,鐘小丹,杜邱,馬滿,王虹,黃靜,盧曉倩,李雪,王子彤,劉芯嘉,蔡姿利,張汐,陳志穎,陳婉儀,靈藥,殷若曦,雪千琪,魏鵬,楊錚,慕巖,史蒂文·達茲,侯晶皓,牛中華,常峰輝,王朋朋,潘靖康,柏樹森,潘臣,汪齊,葛亮,張雪峰同類精選
丹下左膳:大岡越前外傳
森山未來,黑木華,每熊克哉,福士誠治,加藤諒,平祐奈,宇梶剛士,相島一之,榎木孝明,橫內正,田邊誠一,田村亮,高橋克典取款機殺人夜
愛麗絲·伊芙,喬希·佩克,布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森宇殺員
Shannon Hutchinson,Vito Trigo,Jasmina Parent判決2025
里羅·得萬托,禮薩·拉哈迪安秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃愛,木龍麻生,宮崎葵,吉岡秀隆,岡部敬史,中田青渚,田村健太郎,戶塚純貴,蓮見翔,又吉直樹,堀內敬子,佐藤緋美,白本彩奈單獨之戀
凱文·詹姆斯,喬納森·魯米,金·寇茲,艾莉森·漢尼根,朱莉·安·埃默里,妮可·吉瑪多,茱莉·塞爾達,朱莉婭·梅西娜影視排行
街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納結束了一段破敗的婚姻,干練自強的凱瑟琳(伊麗莎白·蘇 Elisabeth Shue 飾)帶著女兒艾莉莎(詹妮弗·勞倫斯 Jennifer Lawrence 飾)遠離芝加哥,搬到了一處位于州際公園叢林深處的房子居住。這里風光秀美,景色宜人,深得母女二人的歡心。美中不足的是,附近一處住宅四年前曾經發生慘絕人寰的殺人案件,失蹤的女兒更成為當地人口中盤桓不去的幽怨鬼魂,這一切令人不免心懷惴惴。未過多久,心情煩亂的艾莉莎結識了那戶悲劇人家幸存的獨子瑞恩(馬克斯·希爾萊耶 Max Thieriot 飾)。 短暫的交流讓艾莉莎隱隱從瑞恩的身上找到些許認同感,卻不知這名看似敏感纖細的男孩,心中隱藏著怎樣黑暗的秘密……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天啟四騎士
丹尼斯·奎德,章子怡,盧·泰勒·普奇,小克利夫頓·克林斯蘭斯林(丹尼斯·奎德 Dennis Quaid 飾)警官同時也是一個單身父親,因公務繁忙,他無暇照顧兩個兒子,大兒子亞歷克斯無形中時常扮演父親的角色。最近蘭斯林被一樁連續殺人案纏住,每個兇案現場都發現了至少四名嫌疑人的蹤跡,并且統一留下了“過來看”的血色留言,死者死于懸掛的狀態充滿了宗教意味,蘭斯林從人體懸掛的鐵架入手,發現這一干罪犯以殺人作為宗教儀式,并且以啟示錄中記載的“天啟四騎士”自居。第一個受害者的華裔養女克里斯汀(章子怡 飾)主動找到蘭斯林,坦承了自己與連續殺人案的關系,但是這不能阻止更多人受害,蘭斯林驚見自己最不愿意看到的事情發生了……
沼澤怪物1982
路易斯·喬丹,阿德里安娜·巴比歐,雷·懷斯一名科學家在實驗中不小心沾到了一種具有快速成長特性的化學液體,不久,他就變成了半人半獸的水怪。這時,野心分子也想獲得這種具有快速成長特性的化學液體的秘密公式,他們遂派員追殺持有科學家記事本的電子專家。后來他們發現了這名科學家的下落,終于在沼澤區這幫野心分子跟科學家變成的水怪展開了決斗。這是一部滑稽可笑的科幻動作片,水怪的化妝和服裝都顯得愚笨而不能入信,對白亦平淡乏味,整部影片露出了低成本制作的粗糙感