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與丈夫(安東尼·拉帕格利亞飾)慶祝完結(jié)婚25周年后不久,丈夫出差在外,達(dá)西(瓊·艾倫)在車庫找電池,卻無意中發(fā)現(xiàn)丈夫就是新聞中說的“臭名昭著的連環(huán)殺手比蒂”。 影片的小說藍(lán)本是金2010年出版的短篇小說集《暗夜無星》(Full Dark, No Stars)中的一篇。金在接受采訪時說,小說的靈感來自于2005年被捕的美國“BTK連環(huán)殺手”丹尼斯·雷德(Dennis Rader),他就有一位結(jié)婚三十四年的妻子寶拉(Paula),對他的殺人行為毫不知情。金表示,小說探討的是,人與人之間永遠(yuǎn)不可能完全了解,即使是最愛的人也一樣。
在外星人入侵幾乎滅絕人類的幾年后,人類難民在月球上的一個秘密基地,三個英雄決定跳入時間旅行,不顧一切地試圖拯救幸存者,但他們不知道哨兵正在等待他們。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
『ジョーズ』を発端にしたパニック映畫ブームにあやかり東映が発表した作品。富士五湖の中でも地味な西湖、精進(jìn)湖を舞臺に、一大スペクタクルが展開する。