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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀錄片導演皮特?戴維斯（Peter Davis）拍攝的一部探討美國為何在1959-1975年期間發動對越戰爭，越南人民的悲慘遭遇，以及美國人民對越戰態度轉變的紀錄片。這是美國本土首次放映直接采訪刻畫越南平民慘境的影片，片中多次表現了美軍將領的種族主義和美國政府對國內人民的無恥欺騙。電影于1974年在法國嘎納電影節首映，隨即便因內容的嚴重爭議性被哥倫比亞公司擱置。制片人波特?施耐德（Bert Schneider）與亨利?蘭格（Henry Lange）向哥倫比亞公司買回了版權，并終于1975年通過華納公司在美國公映。本片獲1974年奧斯卡最佳紀錄片獎，并被提名同年金球獎最佳紀錄片。
精靈寶可夢：決戰時空之塔帝牙盧卡VS帕路奇犽VS達克萊伊
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,鈴鹿千春,能登麻美子,井上喜久子,三宅健太,伊東美彌子,西村千奈美,川上倫子,阪口大助,小西克幸,古島清孝,石冢運升,佐藤智惠,仁科洋平,傳坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西優子,三浦博和,相馬幸人,中西英樹,山本耕史,加藤羅莎,秋山龍次,馬場裕之,山本博,中川翔子,石坂浩二,山寺宏一持續在世界各地進行修業之旅的小智（松本梨香 配音）、小剛（うえだゆうじ 配音）和小光（豊口めぐみ 配音），歷經長途跋涉終于來到了位于山谷丘陵處的目的地阿拉莫斯鎮。小鎮上聳立著象征時間與空間的時光之塔，新一輪的神奇寶貝競賽將在塔的下方舉行。小智一行走錯了路，卻由此結識當地的美麗女孩艾麗絲（加藤ローサ 配音）。緊張的戰斗與快樂的游玩，卻未察覺危險正悄悄逼進。小智遭到噩夢精靈達庫萊伊的襲擊，雖然達庫萊伊被當地所有人討厭，但是它似乎想將某種危險、恐怖的信息及時傳給小智一行，關于時空之塔的秘密即將揭開…… 本片為神奇寶貝系列第十部電影劇場版。
偶像活動！×美妙天堂 THE MOVIE -相遇的奇跡！-
下地紫野,茜屋日海夏《10周年記念！》 大人気アイドル 奇跡のコラボレーション!! “10年分の愛”と“10年分のありがとう”をいっぱいに詰め込んだ、夢のプロジェクト始動！ 新作ストーリー＆新作ライブの完全オリジナル映畫
調平
以純AI影像講述新疆鄉村故事，用一張臺球桌、半張老照片，寫透技術與鄉土、完美與真實、時代與個體的溫柔碰撞 ——真正的調平，不是抹平一切，而是讓每段帶褶皺的生命，都有自己的節奏。
幼獸
Evelien Bosmans,Stef Aerts,提圖斯·德·沃格特,Maurice Luijten由克里斯（Titus De Voogdt 飾）和皮特（Stef Aerts 飾）帶隊并由數名十幾歲的男孩組成的童子軍即將前往靠近法國邊境的某座森林里露營，出發前他向孩子們講述了一個可怕的傳說，據說森林里有一種被稱為“凱”的半人半獸怪物肆虐橫行，當地人聞風喪膽。它的模樣如同人狼，凡是被它咬過的人都會受到感染變成人狼。孩子們群情激昂，決心痛揍人狼，隨后跟隨克里斯坐上卡車出發。陽光明媚的時節，孩子們在露營地快樂玩耍，不過并不受眾人待見的小男孩薩姆（Maurice Luijten 飾）似乎格外在意“凱”的存在，他在挖洞時聲稱一度看到“凱”的身影，隨后更在營地附近發現一處神秘的巢穴。 夜幕降臨，可怕的身影悄悄向營地接近，薩姆的命運發生徹底改變……
時空悍將
丹澤爾·華盛頓,凱莉·林奇,羅素·克勞,威廉·弗西斯,威廉·菲克納故事發生在一個電腦科技極為發達的年代，一名科學家發明了一個殺人程序協助警方辦案，其中集結了數百名連環殺手的資料和他們的作案手法。這個程序是如此的邪惡，最后不僅生成了個人意志，更擁有了人類的外表和可以隨時修復任意損傷的特殊能力，它從禁錮中逃脫了出來，在世間作惡。 為了捕捉這位邪惡的“兇手”，警方設計了一個追蹤儀器，罪犯帕克（丹澤爾·華盛頓 Denzel Washington 飾）被選中成為了儀器的試驗品。帕克曾經亦是一名警察，卻因為動用私刑殺死了讓他家破人亡的殺手而被免除了職務打入大牢。而讓帕克感到在意的是，在殺人程序中，亦有當年殺害他家人的那名殺手的存在。