即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
困在時間里的父親
安東尼·霍普金斯,奧利維婭·科爾曼,馬克·加蒂斯,奧莉維亞·威廉姆斯,伊莫琴·普茨,盧夫斯·塞維爾,阿耶莎·達爾克,羅曼·澤勒,雷·伯內特,阿德南·昆迪,斯科特·穆林斯,布賴恩·羅杰,艾薇·維影片以重復加碎片式的感官敘事手法，講述了年邁且身患疾病的安東尼（安東尼·霍普金斯 Anthony Hopkins 飾）正在面臨一項艱難的人生選擇——是搬到養老院還是接受女兒尋找的新護工。在這個過程中，安東尼發現自己仿佛進入了一場奇怪的時空之旅，錯亂的記憶和時間線交織出一段段匪夷所思的故事，而一個個陌生又熟悉的人也讓他陷入迷茫。影片根據法國小說家兼劇作家佛羅萊恩·澤勒的舞臺劇《父親》改編。
炫舞我人生
董維恩,陳樂添,杜梵,李純洱幾個年輕時懷揣街舞夢想的青年，多年后經歷了人去人走、世故變遷，懷著對朋友的懷念，懷著對未來的憧憬，又重拾了自己年輕時的夢想，用舞蹈詮釋了人生態度……
養鬼吃人8：地獄世界
蘭斯·亨利克森,凱瑟琳·溫妮克,克里斯托弗·賈科特,卡里·佩頓,亨利·卡維爾,維克多·麥奎爾,道格·布拉德利,Catalina Alexandru這部最新續集故事從五個年青的互聯網游戲者，接到一個神秘的邀請開始，去參加一個名叫《地獄互聯網》站點的特殊聚會，不過他們沒有想到，那是一個恐怖的難以用言語表達的夜晚。。。全新特技、視覺效果，一個恐怖電影迷不能放過的片子。 這是一部全新而獨特的Hellraiser系列最新篇，大部分原班人員繼續上陣。和其它幾集比較來說，表面看只是一出跟其它B級片沒兩樣，同樣灑狗血的電影，但Rick Bota在血和核突以外，還加上深入一點的人性探討。前幾集的故事主要跟家庭、人的欲望和惡行有關，結果令他們慘受地獄使者的騷擾，充滿冷色調的美術設計，令Clive Barker所營造的世界，更見冷酷。
不倫之戀
帕特里克·迪瓦爾,阿里爾·貝西,莫里斯·羅內,杰納維夫·馬尼奇,莫里斯里什,瑪莎·梅赫勒,羅絲·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕爾,納塔莉·貝伊,妮可·加西亞,Alan Adair,莫里斯·比羅,皮埃爾·科索,伊維斯·皮尼奧,Joseph Michael Roth,Max Vialle對于音樂家雷米（帕特里克·迪瓦爾 Patrick Dewaere 飾）來說，日子變得越來越不好過，不僅僅是職業上的停滯不前，妻子一成不變的容顏和乏味的婚姻生活也讓他幾近抓狂。就在這個節骨眼上，妻子車禍身亡的消息讓雷米感到震驚卻又有一絲解脫，而妻子留下的14歲的繼女瑪麗安（阿里爾·貝西 Ariel Besse 飾）也成為了一個包袱。瑪麗安的生父想奪回瑪麗安的撫養權，沒想到，小小的瑪麗安卻更愿意和繼父生活在一起。同一屋檐下，這對沒有血緣關系的“父女”之間的情感變得朦朧而又曖昧。對于瑪麗安的火熱表白，雷米從最初的果斷拒絕到之后的欲拒還迎，他能否守住倫理道德的最后一條底線呢？
復仇之溪
多米尼克·珀塞爾,亨利·卡維爾,邁克爾·法斯賓德,Emma Booth20世紀30年代，戰爭的幽靈盤桓世界上空。納粹相信妖術可以幫助他們邁向勝利，于是派出手下四處尋找便捷的“治世良方”。1936年，在美國西弗吉尼亞的一個偏僻鄉村復仇溪，誠實善良的沃爾納一家迎來一名不速之客。隸屬于北美地區德國遺產學術委員會的理查德·沃斯博士（Michael Fassbender 飾）來到這里，借住在沃爾納家。一家人雖然心有惴惴，不過看在錢的份上欣然接納沃斯博士，并對其表現出誠摯的熱情，卻不曾想對方帶來了難以置信的災難。 2007年，警察伊萬·馬歇爾（Henry Cavill 飾）生活正陷入困境。他的哥哥維克多（Dominic Purcell 飾）一度消失。當他以為兄長已死時，維克多卻突然出現，帶著弟弟來到復仇溪。維克多究竟經歷了怎樣的磨難？這與30年代沃爾納一家的遭遇又有什么關聯？