紅裙金發(fā)少婦在家寂寞難耐脫光光

洛特DR1

　　16歲的男孩基奇(Kitch)身在的城市經(jīng)歷了毀滅性的災(zāi)難，過半的人口失蹤和死亡。天空上到處是無人機，奇怪的是這些無人機是有自主意識的，它們脫離人類的控制，與人類展開對抗。男主角在尋找父親的過程中無意間知曉了可以在人體植入某種物質(zhì)的密集，在一連串遭遇后帶著他的無人機加入了一個叫DR1的組織，然后各種開掛用人控?zé)o人機打無人機的故事。

癡迷

 影片講述了一個絕望浪漫者的愿望引發(fā)超自然詛咒的故事。Woe（邁克爾·約翰斯頓 飾）長期暗戀童年好友Nikki（印達(dá)·納瓦雷特 飾），在一次表白失敗后，他通過一件具有“猴爪”式超自然力量的 飾品許愿，希望Nikki能愛上他。但隨著愿望成真，Nikki的行為逐漸變得異常，她的偏執(zhí)和人格扭曲暗示其自主意識被某種惡意實體取代。

穿普拉達(dá)的女王2

 影片直面數(shù)字時代時尚行業(yè)的迭代浪潮，當(dāng)曾經(jīng)指引潮流的時尚圣經(jīng)《Runway》雜志遭遇前所未有的生存危機，“時尚女魔頭”米蘭達(dá)（梅麗爾·斯特里普 飾）與曾經(jīng)的“職場小白”安迪（安妮·海瑟薇 飾）再度聚首，時尚圈地位將經(jīng)歷大洗牌——昔日的助理艾米莉（艾米莉·布朗特 飾）權(quán)力進(jìn)階成長為奢侈品集團高管；安迪也成為獨當(dāng)一面的職場強者。從各自為戰(zhàn)到并肩破局，從過去“被支配”到“掌控話語權(quán)”，角色的身份轉(zhuǎn)變與立場碰撞，更映照出女性在職場成長自我抉擇中的蛻變與力量，啟發(fā)人們重新去探尋關(guān)于夢想、權(quán)力與自我的人生命題。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

楊非與高俐

高俐醉酒被強哥等人綁架索贖金一億，楊非因父需百萬手術(shù)費趕路時車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術(shù)費，二人相戀。

機械怪獸