爛泥情人

★ 6.3 播放：62萬(wàn) 更新：2026-06-11
主演： 金基德/

亨吉（曹在顯飾）是個(gè)不能說(shuō)話的小混混，一次在街頭遇見(jiàn)女大學(xué)生森華（孫婉飾），被她的美麗外貌所吸艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。亨吉注視著坐在長(zhǎng)椅上的她，對(duì)方卻對(duì)他沒(méi)任何好感。等到森華男朋友到來(lái)后，他當(dāng)街強(qiáng)吻了森華，招來(lái)一頓唾罵，在被要求道歉時(shí)，亨吉并沒(méi)有那樣做。 　　之后，森華去書(shū)店時(shí)，一時(shí)貪心拿走了別人遺落的錢(qián)包，不想被人盯上敲詐一番。為了奉還錢(qián)財(cái)巨債，森華不得不通過(guò)簽下賣(mài)身契來(lái)出賣(mài)肉體還錢(qián)。而這一切，她并不知道原來(lái)是亨吉布局陷害的。他愛(ài)著森華，但又知道對(duì)方無(wú)法接受他，惟有將森華毀掉，放到低賤的位置，才能有些微弱可能

在線播放

劇情簡(jiǎn)介

亨吉（曹在顯飾）是個(gè)不能說(shuō)話的小混混，一次在街頭遇見(jiàn)女大學(xué)生森華（孫婉飾），被她的美麗外貌所吸艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機(jī)影院,海外影院APP,海外中文影視,海外影視網(wǎng),海外華人影院,海外影院tv,蛋蛋電影網(wǎng),海外福利影院,haiwaiyingyuan。亨吉注視著坐在長(zhǎng)椅上的她，對(duì)方卻對(duì)他沒(méi)任何好感。等到森華男朋友到來(lái)后，他當(dāng)街強(qiáng)吻了森華，招來(lái)一頓唾罵，在被要求道歉時(shí)，亨吉并沒(méi)有那樣做。 　　之后，森華去書(shū)店時(shí)，一時(shí)貪心拿走了別人遺落的錢(qián)包，不想被人盯上敲詐一番。為了奉還錢(qián)財(cái)巨債，森華不得不通過(guò)簽下賣(mài)身契來(lái)出賣(mài)肉體還錢(qián)。而這一切，她并不知道原來(lái)是亨吉布局陷害的。他愛(ài)著森華，但又知道對(duì)方無(wú)法接受他，惟有將森華毀掉，放到低賤的位置，才能有些微弱可能

導(dǎo)演精選

生人活祭

　　媒體從業(yè)人員帕特里克·卡特（肯塔克爾·德利 Kentucker Audley 飾）意外聯(lián)系到了失蹤許久的姐姐卡羅琳（艾米·西米茨 Amy Seimetz 飾）。卡羅琳當(dāng)初曾在戒毒所治療，如今住進(jìn)了一個(gè)名為“圣伊甸園”的地方，并自稱(chēng)過(guò)上了烏托邦般的生活。為了弄清姐姐的下落，帕特里克和同事兼好友山姆·特納（AJ·鮑恩 AJ Bowen 飾）、杰克·威廉姆斯（喬·斯萬(wàn)博格 Joe Swanberg 飾）啟程前往圣伊甸園的所在地調(diào)查。這座樂(lè)園位于一個(gè)鮮為人知的隱秘所在，許許多多生活中經(jīng)歷痛苦和坎坷的人們，在“父親”（吉恩·瓊斯 Gene Jones 飾）的感召和撫慰下重獲新生。　　出于媒體人的敏感，山姆取得了和“父親”對(duì)談的機(jī)會(huì)，但他卻從對(duì)方幽默機(jī)智的談吐中嗅到了一絲殺氣……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

掠殺者

　　故事發(fā)生在蘇格蘭一個(gè)名叫英維思的偏遠(yuǎn)寧?kù)o小鎮(zhèn)。夜幕愈加濃重，年輕女警官瑞秋（Pollyanna McIntosh 飾）被鬧鐘喚醒，她有條不紊穿戴整齊，隨后出門(mén)行走在空無(wú)一人的街道中央。在某個(gè)路口，瑞秋目擊不遠(yuǎn)處站著一位老人，但隨后老人被一輛飛馳而來(lái)的汽車(chē)撞到。瑞秋沖上前去，然而并未看到被撞之人，她只得將肇事者凱撒（布萊恩·沃納 Brian Vernel 飾）扭送回警局，與麥克·瑞德警長(zhǎng)（道格拉斯·羅素 Douglas Russell 飾）一同審問(wèn)。稍后凱撒被關(guān)入牢房，而警局的同事也找到了那名神秘且一言不發(fā)的受傷老人。　　令人難以置信的是，老人似乎擁有直抵他人內(nèi)心的能力，同時(shí)也讓對(duì)方暴走瘋狂，這注定是一個(gè)不平凡的夜晚……