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會長的貼身校花
馮芷墨,熊蘇藝甜蜜的家2025
姜恩彬,盧仙禧,樸秀彬突破二十五馬赫
凱特·卡普肖,莉·湯普森,凱利·普雷斯頓,拉里·B·斯科特,華金·菲尼克斯,泰特·多諾萬,湯姆·斯凱里特,巴里·普賴默斯阿特拉斯聳聳肩
泰勒·席林,保羅·約翰遜,格蘭特·鮑爾,賈蘇·加西亞,馬修·馬斯登,Rebecca Wisocky再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev準備好了沒2:我來了
薩瑪拉·維文,凱瑟琳·紐頓,莎拉·米歇爾·蓋拉,伊利亞·伍德,肖恩·海托西,內斯特·卡博內爾,凱文·杜蘭,鄭啟蕙,大衛·柯南伯格,丹·貝爾尼,瓦倫·薩朗加,戴夫·羅斯,馬莎·利茲德克,納迪姆·菲利普,卡拉·伍滕,胡安·巴勃羅·羅梅羅,喬納森·梅森,安東尼·霍爾同類精選
影視排行
箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優子,川瀨陽太這部1973年的小說由安部公房創作,講述了一位無名男子放棄自己的身份,頭頂一個大紙箱生活的故事。在東京街頭游蕩時,他遇到了各種各樣的人物。
興登堡遇難記
喬治·C·斯科特,安妮·班克羅夫特,威廉·阿瑟東羅伯特.懷斯執導的該部災難片根據真實事件改編而成。故事講述一九三九年,一艘滿載各式人等飛往紐約的德國造興登堡飛船,在抵達紐約上空時發生爆炸,造成了歷史上的大悲劇。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
殺木地
金惠奫,李鐘元,金準韓,張多雅街景地圖PD秀仁帶領團隊,前往傳聞詭異的殺木池水庫補拍路段畫面——此前素材中莫名出現了無法解釋的人形。團隊必須在當天完成重拍,可踏入水庫區域后,怪事接連發生:鏡頭捕捉到無人的身影,失蹤的前輩突然現身,水下傳來若有似無的低語。夜幕降臨,信號逐漸消失,成員們接連遭遇離奇狀況,黑暗的水庫深處,似乎有什么東西正循著水聲,向他們緩緩靠近。