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復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita機(jī)動戰(zhàn)士高達(dá)閃光的哈薩維喀耳刻的魔女
小野賢章,上田麗奈,諏訪部順一,齊藤壯馬,津田健次郎,石川由依,早見沙織,落合福嗣,武內(nèi)駿輔,山崎真花,永瀨安奈,佐藤日向門禁2025
梅歌林·艾奇坤沃克,莫·麥克雷,布蘭登·費(fèi)拉靈殤
奧古斯特·維特根斯坦,阿爾瑪·特爾齊奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez阿坎達(dá)2
巴拉克利須那,哈莎莉·馬洛特拉,Samyuktha Menon九龍大眾浪漫真人版
吉岡里帆,水上恒司,龍星涼,柳俊太郎,梅澤美波,花瀨琴音 ,フィガロ?ツェン,山中崇,サヘル?ローズ,關(guān)口曼迪,島田久作翼
克拉拉·鮑,查爾斯·巴德·羅杰斯,理查德·阿倫,喬拜娜·勞斯頓,加里·庫珀同系列推薦
我的曼啊:2025圣誕特別篇
露茜·彭奇,喬安娜·拉姆利,菲利帕·鄧恩三塊廣告牌
弗蘭西斯·麥克多蒙德,伍迪·哈里森,山姆·洛克威爾,艾比·考尼什,盧卡斯·赫奇斯,彼特·丁拉基,約翰·浩克斯,卡萊伯·蘭德里·瓊斯,凱瑟琳·紐頓,凱瑞·康頓,澤利科·伊萬內(nèi)克,薩瑪拉·維文,克拉克·彼得斯,尼克·瑟西,阿曼達(dá)·沃倫,瑪拉雅·瑞沃拉·德魯,布蘭登·薩克斯頓,邁克爾·艾倫·米利甘群體
全智賢,具教煥,池昌旭,申鉉彬,金新綠,高洙冰雪壞皇后
麥斯·米科爾森,Jennifer Lynn Wilson,Charlie Bauer月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥旁觀者2025
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昭和殘俠傳:唐獅子仁義
風(fēng)間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風(fēng)間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster