劇情簡介
戰后，父母雙亡她的妹妹她的妹妹西斯（Sis）在戰爭中失去了丈夫。佩服圍攻的那個鄉村單身漢Matazo在與Shizu一起玩Shizi之后，她以愛的名義被強奸。Shizu最終接受了Matazō，后者終于向他敞開心heart。具有諷刺意味的是，她姐姐A的肚子開始沉重艾旦影視,海外影院,海外影視,海外YY,海外搶先電影,海外手機影院,海外影院APP,海外中文影視,海外影視網,海外華人影院,海外影院tv,蛋蛋電影網,海外福利影院,haiwaiyingyuan
為你推薦
河童之湄瀾怪談
龐玉龍,黃柏鈞,張沙沙,鄭曉民,何涌生生物化學專家明翰受警局顧問沃克教授推薦，協助警方調查不明水生物離奇殺人案件。開始眾人都深信是鬼神之說出來害人，明瀚不以為然堅信自己的判斷，隨著案件的偵破，明翰得知兇手就是他尋找多年的父親明智，當年父親和沃克教授一起秘密實驗時，不幸意外感染，變異成了今天肆意殺人的河童。 最終真相大白原來這一切都是沃克教授所為，為了利益他背著明智進行非法人體實驗，當明智不幸感染時，他不僅沒有醫治明智還把他當成了意外的驚喜，對他進行了人體試驗，導致明翰的母親無人照顧病死家中多日。最終父子二人聯手協助警方摧毀了這個犯罪組織。
忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus KuncoroA narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.
柏林危機
湯姆·弗拉席亞,瑪莎 萊奧妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基達·拉馬丹,蒂姆·維爾德德國男星肯·杜肯自導自演的驚悚片處女作，精神創傷的精英戰士在前往柏林探望女兒的途中搭載了一名面善的攔車者，卻沒料到后者正醞釀著一起柏林恐怖襲擊。伴隨多次視角轉換和對善惡問題的拷問，在逐步揭開極端的意識形態深淵的同時，兩名主角最終將故事引向意外結局。
我愛時尚盜竊
柯柯·帕爾莫,娜奧米·阿基,泰勒·佩奇,柳波,艾莎·岡薩雷斯,勒凱斯·斯坦菲爾德,威爾·保爾特,唐·錢德爾,黛米·摩爾,納賈·布雷德利,漢娜·艾琳,凱瑞斯·多西,瑞切爾·沃爾特斯,安吉麗娜·大衛,卡拉·楊,哈薩尼·維貝茲·科默,布里安娜·斯塔克斯,凱斯米爾·特里斯·斯坦菲爾德,Nadia Dawn,馬赫迪·科奇在舊金山灣區一個超現實的平行世界里，一群被稱為"順風手"的商店扒手，將矛頭對準了一位剽竊他們設計的心狠手辣的冷酷時尚大亨。
荒村怪談
李文豪,楊雅涵,張萌萌,鐘云鵬,賀穎怡,沈竹,王文采,蘇禹銘,李朋霏,劉君豪規則怪談！鬼村見鬼！千年荒村自古有＂人鬼相處規則＂。青年男女結伴夜闖陰山鬼林，破壞規則，導致鬼靈還魂，鬼嘯瘆人，鬼影駭人，鬼殺奪命！一個美艷女子突然被鬼現鎖喉，另一個精壯青年又被鬼爪掏心……陰風陣陣，尖叫四起，一場排隊送人頭的祭獻大戲陰森上演，生者想死無門，卻又無處可逃！究竟是千年的冤魂沖破魔咒到人間索血啜飲？還是古老地獄中逃出的怪獸掠殺食人？土匪也驚恐逃亡，獵手也慌不擇路！夜半的茅草屋，怪叫撕心裂肺，鬼臉貼窗凝望，野鬼BOSS終將現行，終極＂規則絕殺＂如期而至！眾人早已靈魂出竅，一具具行尸走肉又將如何戰栗？
網絡迷宮
克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡2005年圣節前3天，電子游戲設計員米正在趕制全新游戲－極樂迷宮，準備在圣誕日推出面大量發售．豈料異變突然發生，游戲里的主角蘇被病毒感染產生自主意志，厭倦了打打殺殺無限續局的殘酷生涯，要求杰米刪除游戲程式，另一邊廂，電腦集團又派人催促杰米趕快交貨，進退維谷的，他只好兵行險著，策動一場網絡革命……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.