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我的老婆是女優
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克馬丁是一名成人電影行業的經紀人，在一家夜總會偵察時，他遇到了達莎。她在洗手間里給他看了一些非常有才華的東西，他開始考慮讓她在一部成人電影中扮演一個角色。這個行業最近變得非常時髦，他向她承諾，她將成為超級明星，她的電影將炸毀網絡。然而，。..
正面還是反面？
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴利,皮特·藍薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉歐·曼涅提,薩蒂·勒潑因特,費德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達尼,克勞狄歐·卡斯托利20世紀初，在一場致命的牛仔競技后，羅莎與她的情人踏上逃亡之路，穿越意大利荒野，試圖擺脫追捕。他們的身后，是傳奇人物“水牛比爾”——他不僅是追蹤者，更是掌控故事的人。他拒絕改寫自己版本的真相，而羅莎的命運也因此被卷入一段被掩蓋的往事。隨著旅程深入，逃亡逐漸演變為一場關于身份、記憶與敘事權的較量。在現實與傳說交織的邊界上，羅莎必須決定是否繼續逃避，或重新掌握屬于自己的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
DB
來自河北廊坊的說唱少年，王笑，因一次意外打架事件背負巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款，王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙，感情受挫，說唱事業也無法繼續發展，而且再次欠下巨額欠款。王笑該如何面對這一切？
昭和殘俠傳 唐獅子牡丹
高倉健,三田佳子,池部良,津川雅彥タイトル : 昭和殘俠伝: 唐獅子牡丹（期間限定生産）（生産完了） 出演 : 高倉健／三田佳子／津川雅彥／池部良／蘆田伸介／菅原謙二 監督 : 佐伯清 不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の狀態に追いやられてしまった榊組の姿だった。左右田組の執拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…。 高倉健の代表作の一つである「昭和殘俠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。
芝加哥大火記
泰隆·鮑華,艾麗絲·費伊,唐·阿米契,艾麗絲·布雷迪影片主線講述了19世紀一戶普通家庭來到芝加哥并奮斗的故事，影片后半一頭母牛碰倒了提燈點燃了大火，展現了驚人的火災場景。