影片推薦
綿羊偵探團(tuán)
休·杰克曼,尼可拉斯·博朗,尼古拉斯·加利齊納,莫莉·戈登,茱莉亞·路易斯-德瑞弗斯,克里斯·奧多德,布萊恩·克蘭斯頓,帕特里克·斯圖爾特,雷吉娜·赫爾,貝拉·拉姆齊,瑞斯·達(dá)比,布雷特·戈德斯坦,艾瑪·湯普森,周洪,康勒斯·希爾,托辛·科爾,寇布勒·霍爾德布魯克-史密斯,曼蒂普·迪倫,詹姆斯·賴特,喬治·哈里斯,斯特拉·斯托克爾,本·優(yōu)素福,喬舒亞·希爾天竺藍(lán)調(diào)
布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫(kù)拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達(dá)里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash機(jī)器人8號(hào)
嗜血族
Daut Shaikislamov,Syrym Kashkabayev,Kilishbek Kasimbekov,Asan Mazhit征服者2025
阿克夏耶·坎納,馬達(dá)范,蘭維爾·辛格,桑杰·達(dá)特,阿俊·拉姆鮑,阿哈娜·卡姆拉,莎拉·阿爾瓊,拉詹德拉納斯·祖特施食夢(mèng)者
佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿時(shí),山田孝之,宮藤官九郎,中川雅也,染谷將太同類精選
芝加哥大火記
泰隆·鮑華,艾麗絲·費(fèi)伊,唐·阿米契,艾麗絲·布雷迪百燭游戲
Magui Bravi,Luz Champané,Amparo Espinola,克拉拉·科瓦西奇,Agustin Olcese,Amy Smart,James Wright綾音的高踢腿
宮村優(yōu)子,川村萬(wàn)梨阿,西原久美子,大塚明夫,山口勝平內(nèi)幕2025
郭富城,任達(dá)華,吳鎮(zhèn)宇,方中信,陳國(guó)邦,湯怡,周勵(lì)淇,李靖筠,姜大衛(wèi),駱應(yīng)鈞,鮑起靜,黎峻,耿長(zhǎng)軍,張文杰,蘇家樂(lè),張達(dá)倫,陳湛文,馬俊怡,鄒文正正義的子彈
丹尼·特雷霍,Timur Turisbekov,Doroteya Toleva,雅娜·梅里諾娃,Semir Alkadi,Neli Andonova,Dinko Angelov,Gergana Arolska,Ester Chardaklieva,Svetlio Chernev,Dara Kandi,Dumisani Karamanski,Vei Fan Li,Alexander Ralfietta,Dessy Slavova莎拉·米利根:大器晚成
莎拉·米利根影視排行
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
大話修仙
孫槐志一天欣欣來(lái)到一家古董店,連呼數(shù)聲有人么,不見有人回應(yīng),偌大的古董店空無(wú)一人。由于好奇心的驅(qū)使欣欣不管三七二十一自?shī)市蕾p起來(lái),不斷的被眼前的物品所震懾所陶醉,就在此時(shí)突然有一人出現(xiàn),嚇了欣欣一跳。此人行徑古里古怪,不過(guò)欣欣也沒有放在心上,欣欣與其交談數(shù)據(jù)之后又繼續(xù)欣賞起古董來(lái),然而奇怪的事情就在此時(shí)悄然發(fā)生了……
會(huì)長(zhǎng)的貼身校花
馮芷墨,熊蘇藝單均銘為了保護(hù)母親一手創(chuàng)辦的成人皇家藝術(shù)學(xué)院不被拆遷建成商業(yè)街,收購(gòu)了學(xué)校。準(zhǔn)備對(duì)學(xué)校進(jìn)行維護(hù)加建,卻遭到了誤以為他要拆學(xué)校的顧婉婉的強(qiáng)烈阻攔。單均銘為了不讓顧婉婉影響他對(duì)學(xué)校的改造進(jìn)度,強(qiáng)行將顧婉婉留在身邊,讓她沒時(shí)間搗亂。 兩人卻在相處的過(guò)程中互相吸引,單均銘發(fā)現(xiàn)自己愛上了顧婉婉,準(zhǔn)備向顧婉婉告白。 告白前夕,單均銘意外發(fā)現(xiàn)了顧婉婉就是五年前那個(gè)戲弄了他的感情,還間接害他聽力受損,不得不放棄學(xué)習(xí)音樂(lè)的人。單均銘決定報(bào)復(fù)顧婉婉。 直到顧婉婉傷心離開,單均銘才發(fā)現(xiàn)不管是五年前還是五年后,一切的事情,都是莊美言的設(shè)計(jì),他誤會(huì)了顧婉婉。單均銘恍然大悟,最終找回了顧婉婉。
再會(huì)亡靈
雷娜特·賴因斯夫,安德斯·丹尼爾森·李,巴哈·帕斯,比約恩·桑德奎斯特,揚(yáng)·海恩凱維奇,本特·博瑟姆,Denise Trankalis,Olga Damani,Inesa Dauksta,Kian Hansen在一個(gè)異常炎熱的日子里,三個(gè)不同的家庭發(fā)現(xiàn)了一個(gè)奇怪的秘密——他們剛剛死去的親人又回來(lái)了。他們不知道該怎么辦——這些不是毫無(wú)意識(shí)的僵尸,而是完全不同的東西。但究竟是什么呢?