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申承浩,韓智恩,樸明勛,全昭旻,劉成柱,李棟旭,南仲圭一線希望
扎克瑞·萊維,喬什·杜哈明,昆汀·普萊爾,泰倫斯·特雷爾,馬歇爾·庫克,喬貝茲·威廉姆斯,弗羅瑞安娜·利馬,杰西卡·布萊克莫爾,普里亞·賈恩,詹姆斯·馬丁·凱利,施特菲·塔凱,Armida Lopez,里森·亞歷山大,Chris Dingli,Davina Reeves,Edward De Gaetano,Tucker Sparkman,杰·佩斯,George C. Owens出賣她的肉體
弗里達法瑞爾,加布里埃爾·奧爾德斯,馬修·馬斯登祝你好運2024
亞歷山德拉·達達里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴利,科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯母愛無赦
本尼迪克特·加勒特,葉夫根尼婭·冬妮娜,Liraz Chamami,Edward Sonnenblick,Amir Haddad,尤西·馬什克,弗拉基米爾·弗里德曼,Ronn Talia Lynne愛情背叛
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保羅·勒馬特 Paul Le Mat,南茜·艾倫,戴安娜·斯卡爾維德,邁克爾·勒納,路易絲·弗萊徹圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩任務迷走72小時
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張本煜,黃塏翔,劉揚,町田悠宇,粘土大介幕后花絮
鬼嬰廟
幸福的三口之家,可愛的小女孩亞美卻經常對著空氣說話,并言稱有一個無依無靠的小弟弟跟在身邊。她的舉止令父母非常擔心,而詭異的事件也相繼發生。亞美的媽媽小萍是一所高中的老師,她的學生阿波與關兒相戀。青春男女愛火正熾,無所顧忌,終于令關兒不慎懷孕。為了免去負擔與壓力,關兒最終找到無照女醫引產,這也正是他們痛苦的開始。另有一美貌女明星,適值人氣下滑,而她又因不負責任的男友不斷懷孕,人生漸漸陷入困境。 在這些所謂時尚男女的附近,寂寞冷清的寺院內痛苦悲傷的嬰靈無助哀號。各人欠債各人還,以殺生換取的幸福終究帶著濃濃的血腥……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.