劇情縱覽
故事講述失婚中女恩伊（全度妍飾）為生計而當上女仆，在一幢金碧豪宅中，負責照顧臨盆在即的年輕女主人海拉（徐雨飾）和她的小女兒。春心難耐的下女抵受不住內心欲望，同樣欲求不滿的男主人勛（李政宰飾）于是借機靠近，兩人終發展成不可告人的肉體關系；然而紙包不住熊熊欲火，暗地里目擊一切的老女傭（尹茹貞飾）向女主人告密，怒不可遏的海拉未敢向丈夫發作，卻要恩伊受盡屈辱吃盡苦頭，下女一一逆來順受，全因要保住懷中骨肉…ddd
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臻選佳作
上身
田牧童,劉述,郭星顯,黃伊伊,周炎
同居男友許一恒遭遇事業難關，此時女友成心不但發現自己懷了孕，還獲知許一恒跟閨蜜馬可好上了，而馬可家境殷實，能夠幫助他渡過絕境。成心因為深愛，選擇成全，離開許一恒，并做了人流手術，不料這胎兒竟成了“嬰靈”點點。后來點點決定“帶走”成心，慧化大師用佛法感化點點，并將其“交給了佛”。不久成心再受邪祟之擾，點點冒險回來搭救，也還原了真相……借此告誡切莫輕易墮胎，佛門有曰“五逆重罪”，墮胎必是冤孽。
騷亂俱樂部
杰西卡·布朗·芬德利,娜塔莉·多默爾,山姆·克拉弗林,道格拉斯·布斯,荷麗黛·格蘭杰,馬克斯·艾恩斯,薩姆·里德,湯姆·霍蘭德爾,奧利·亞歷山大,本·施耐澤,托尼·威,弗萊迪·?？怂?馬修·比爾德,Amanda Fairbank-Hynes,澤維爾·阿特金斯 Xavier Atkins,杰克·法辛
影片追隨兩位牛津大一新生，Miles（麥克斯·艾恩斯）以及Alistair（《饑餓游戲》男星山姆·克拉弗林），他們加入“騷亂俱樂部”（Riot Club）的過程和經歷。根據電視特輯所說，騷亂俱樂部成員不到十人，都是精英中的精英，而要進入這個精英團體可不容易，隨后的片段中，Alistair 就喝下了一杯，加了煙頭、蠕蟲等各種難以想象的惡心“佐料”的紅酒。 影片改編自2010年火爆倫敦的劇作“Posh”，騷亂俱樂部的原型據說是牛津大學著名的布靈頓俱樂部（Bullingdon Club），英國許多政要，包括首相卡梅倫，倫敦市長鮑里斯·約翰遜都是其中成員。其奢華的晚宴，以及狂暴的“入會儀式”，比如在學校餐廳和寢室“打砸搶”等，也同樣出名。
狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如
唐載初年，位于郊外校場倒塌的通天浮屠殘骸一夜之間復活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個校場，死傷無數。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災難。城中內外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過節的大理寺少卿裴東升。二人不打不相識，被迫一起調查此案。面對外敵的入侵，隊友的不信任，狄仁杰決心背水一戰，勢要查明案件的真相。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster