醉后的玫瑰

★ 5.9 播放:52萬(wàn) 更新:2026-06-12
主演: 未知/

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導(dǎo)演精選

殺戮南瓜怪

  萬(wàn)圣節(jié)之夜,一位少女劇作家、她的弟弟和一群幸存者被困在一個(gè)可怕的村莊里:一群有著生命的南瓜開(kāi)始攻擊人類(lèi),而這件事似乎在這個(gè)村莊的歷史上發(fā)生過(guò)。

女士?jī)?yōu)先

達(dá)米安(薩莎·拜倫·科恩飾)似乎擁有一切:金錢(qián)、權(quán)力,以及源源不斷的艷遇。正當(dāng)他準(zhǔn)備晉升為一家頂尖廣告公司的首席執(zhí)行官時(shí),一場(chǎng)噩夢(mèng)讓他的生活徹底顛覆:他醒來(lái)發(fā)現(xiàn)自己身處一個(gè)由女性主宰的平行世界。曾經(jīng)叱咤風(fēng)云的他,如今卻發(fā)現(xiàn)自己處境艱難,不得不與強(qiáng)勢(shì)無(wú)畏的艾莉克斯(裴淳華飾)正面交鋒。規(guī)則改變,艾莉克斯如日中天,兩人展開(kāi)了一場(chǎng)大膽的較量。這部輕松詼諧、諷刺意味十足的喜劇講述當(dāng)性別角色被徹底顛覆時(shí)會(huì)發(fā)生什么。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster