即刻觀影
劇情賞析
編輯推薦
挑戰未來2：星云
Sue Price,查德·斯塔赫斯基,Sharon Bruneau亞歷克斯失敗后過去了73年，人類也失去了半機械人的戰爭。從那時起，人類就被奴役了。科學家們已經開發出一種新的DNA毒株，這可能標志著Cyborgs的終結，并將其注射到志愿者身上。當生化機器人了解到這個女人和嬰兒時，他們都要終止。為了逃跑，她帶著一艘偷來的半機械人的船，在1980年回到了東非，在那里，母親被殺，但孩子得救了。這需要20年的時間，但半人半人的獵人星云最終找到了這個名叫亞歷克斯的女孩，并及時趕回來終結她的生命。
尼諾
西奧多·佩爾蘭,威廉·勒布吉歐,莎樂美·德瓦斯,讓娜·巴利巴爾,卡米莉·拉瑟福德,埃斯特爾·梅耶爾,維克圖瓦爾·杜布瓦,馬修·阿馬立克,Pascale Oudot,Ma?l Besnard,Elodie Roy,Amaury Arboun,利森·丹尼爾,Charlotte Lainé,Balthazar Billaud,艾爾莎·布尚,Quentin Gouget,Alexandre Desrousseaux,Mounir Belhidaoui,Lola Felouzis距離人生重大考驗只剩三天，尼諾卻要先完成醫生布置的兩項關乎存亡的使命。這場穿越巴黎的救贖之旅，迫使他重新系緊與世界的羈絆，更要直面內心深淵。
摩羯星一號
埃利奧特·古爾德,詹姆斯·布洛林,薩姆·沃特森,O·J·辛普森,哈爾·霍爾布魯克,凱倫·布萊克,特利·薩瓦拉斯故事梗概: 由領隊布魯貝克等三名宇航員駕駛的美國宇宙飛船《摩羯星一號》因質量不好未能起飛,宇航主任凱洛威博士為騙取國會的預算,強迫宇航員參加了一場在攝影棚內模擬飛行同時進行電視實況轉播的騙局.為了騙局不被戳穿,還決定宣布飛船降落時因事故機毀人亡,秘密殺害宇航員.宇航員沖出攝影棚后,兩人被打死.死里逃生的布魯貝克出現在追悼會上,揭露了事實真相.
幸福之路
張震,陳法拉,魏愷樂,萊斯·納克里,雅南,湯姆·烏卡,楊佩里,王戰,李海斌,鄭禮莎,亞歷克斯·維多夫,卡洛斯·羅德里格斯,丹尼爾·阿拉納,薩拉·巴斯金,丹尼·博邦穿梭紐約市送餐的華人外賣仔，因謀生工具電動單車被盜，生活陷入危機。同時，他的妻女在分離五年后，終于來到紐約重聚。一部書寫移民勞工的電影，鏡頭隨著無法停下的外賣單車徘徊飄移，配以幽暗色調的紐約街頭，仿佛在高度資本發達的城市中，刻劃出邊陲移工艱苦曲折的生存軌跡。韓裔加拿大導 演于2022年以短片《老樣子》入圍戛納短片競賽，其后將短片延伸成為其首部劇情長片，不變的是對移民群體的關注。
追鋒
欒茗媛,劉瑜峰,李心博,徐峰,何涌生,于榮光,劉亞津,劉泊霄,孔孝信,董波,邊鐵軍,楊圓圓,汪恬爾,張楠是一部刑偵題材電影，主要講述中國警察歷經艱難將犯罪分子繩之以法，順利追回被盜文物的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.