即刻觀影
劇情賞析
編輯推薦
脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen KelifAz 在 Sète（法國南部）的一個牡蠣養殖場工作，他非常熟悉牡蠣，曾打開過成百上千個，一天，他決定藏一枚戒指在其中一只牡蠣中，向他的女友 Jess 求婚，但是對方沒有答應。不過幸運的是，他的一群朋友已經準備好幫他重新振作起來。 Az travaille chez un ostréiculteur à Sète. Les hu?tres il conna?t ?a par c?ur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
英雄三元里
嚴屹寬,劉秋實,孫昊,聞雨,王光輝,孫蛟龍,陶奕希,方洋飛,文東俊,李圣雄,王禹森,呂文軍,陸豐,愛多,馬鐵摩1840年鴉片戰爭爆發，英軍侵略軍攻破廣州，飽經鴉片毒害的百姓活在至暗時刻。蕭崗士紳何玉成（嚴屹寬飾）受關天培之托囑，立志尋找時機保衛廣州城。 故事從三元里村武館教頭劉三義（劉秋實飾）和其兄弟韋紹光（孫昊飾）企圖燒毀十三行碼頭的洋商躉船開始... 影片質樸還原了三元里抗英這段鮮為人知的史實，用悲壯美學與歷史質感交織的視聽講述了鴉片館血案的個人復仇，到牛欄崗生死戰的民族抗爭。致敬民族先輩，當外侮侵犯時，每一個挺身而出的小人物，都是照亮民族暗夜的英雄。
埃迪森
LL Cool J,賈斯汀·汀布萊克,摩根·弗里曼,凱文·史派西,迪倫·麥克德莫特,約翰·赫德,加利·艾爾維斯,羅塞莉·桑切斯,達米恩·丹特·韋恩斯,馬爾科·桑切斯,關永揚,安德魯·杰克森,派珀·佩拉博,布賴恩·詹尼斯,葉芳華,羅伯特·米亞諾,BJ·哈里森,雷克哈·莎爾瑪,彼特·科拉米斯,Klodyne Rodney,格倫·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托馬西諾,大衛·帕拉菲,阿麗克西斯·盧埃林,Holly Eglington,卡佳范瑞西故事發生在一個虛構的城市——埃迪森市中，在那里，執政者和執法者相互勾結，黑惡勢力層出不窮，金錢和權利的交易每天都在發生，這些黑暗和腐敗猶如一只巨大而厚重的手掌，控制了整個城市和生活在其中的人們。波拉克（賈斯汀·丁伯萊克 Justin Timberlake 飾）是一名尚且保留了赤子之心的記者，精明的他很快就察覺到了發生在這個城市中的種種罪惡，心懷遠大理想的他決定將它們一一揭發。 波拉克的舉動很快就惹惱了他正在調查的對象們，他們決定滅掉這個不知好歹的小子。在危險之中，波拉克只得求助于自己的老板艾斯佛（摩根·弗里曼 Morgan Freeman 飾）——一個良心尚存的老記者，在艾斯佛和其好友華勒斯檢察官（凱文·史派西 Kevin Spacey 飾）的幫助下，波拉克正在一步一步的接近真相。
熒屏在發光
賈斯蒂斯·史密斯,布里蓋特·倫迪·佩恩,伊恩·福爾曼,海倫娜·霍華德,林齊·喬丹,丹妮爾·戴德懷勒,弗里德·德斯特,康納·歐麥利,瑪達琳·賴利,埃博·本森,艾伯特·伯尼,邁克爾·C·莫羅納,丹尼·塔貝瑞利,蒂莫西·格里芬·艾倫,泰勒·迪恩·弗洛雷斯,伊麗莎白·斯科佩爾,馬林·班迪羅歐文（賈斯蒂斯·史密斯 Justice Smith 飾）和麥迪（布里蓋特·倫迪·佩恩 Brigette Lundy-Paine 飾）因一檔深夜超自然節目而結緣，然而這檔節目卻神秘地被取消了，在暗淡的電視燈光下，他們對現實的看法開始變得模糊不清。
腐壞之巫
阿麗亞娜·德博斯,馬爾頓·索克斯,芭比·費雷拉,阿瑪拉·卡蘭,阿里安·穆阿耶德,桑婭·奧爾森蘭,杰瑞米·惠勒,朵卡·格萊拉斯,米克爾·布拉特·西爾塞特,加布里埃爾·德雷克,伊莫拉·加斯帕爾,加博爾·納吉帕爾,Harry Szovik,Robert Jackson,Rudolf Molnár,Jason York,安德魯·赫夫勒,Gabor Kovacs,Zoltán Seress,Shiraz Khan一名廚師終于開了自己的高檔餐廳，但地址選在了鄉野傳說中女巫住過的“鬼屋”，可怕的事情發生：食物里有蟲子爬出，血腥事件來臨……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.