金發(fā)人妻紅色睡衣下面藏著一顆騷動(dòng)的心

　　蘇明儀（程予希 飾）暗戀同校的顏立堯（施柏宇 飾）很久了，沒想到分班后成為同學(xué)，顏立堯不受拘束的性格讓他經(jīng)常被風(fēng)紀(jì)股長蘇明儀“記名字”，記著記著，同時(shí)也在心里刻下了不可磨滅的印記，殊不知，卸下風(fēng)紀(jì)的她，只是一個(gè)暗戀他許久的傻女孩罷了。當(dāng)別人還在揮霍青春，年少的三人被迫提早面對人生的課題。　　“其實(shí)，我早就喜歡你，只是不敢告訴你”?　　故事線長達(dá)10年，懵懂的他們各自把秘密埋在心底，直到真正變成大人的那一天。

　　史蒂芬（瑞恩·菲利普）與莎倫（蕾切爾·李費(fèi)佛）來到波多黎各，打算接走通過中介收養(yǎng)的海地小女孩妮娜。他們在旅館結(jié)識了穿著防風(fēng)衣，頭發(fā)亂糟糟的本杰明（庫薩克）。六萬元的費(fèi)用付出手，妮娜卻突然失蹤，領(lǐng)養(yǎng)中介的工作人員不翼而飛，網(wǎng)站也無法打開……　　當(dāng)?shù)鼐旄嬖V他們，兩人是中了釣魚詐騙的圈套，以收養(yǎng)孩子為誘餌，拿到收養(yǎng)費(fèi)后就把孩子帶走，再去尋找下一個(gè)受害人。然而夫婦倆的厄運(yùn)還沒完，本杰明似乎是看準(zhǔn)了兩人是條大魚，把他們監(jiān)禁起來，要榨光他們所有的積蓄。

こめおかしぐ原作の人気ボーイズラブ漫畫「イッて終わりなわけがない！」を日本と臺灣の合作で実寫化したドラマ「秘密關(guān)係 Secret Lover」の劇場版。ドラマ版を再編集し、未公開シーンを追加した。 　　陸俊晞（ルー?ジュンシー）と韓拓（ハン?トゥオ）は、幼いころからいつも一緒に過ごしてきた親友。しかし、拓は俊晞への思いをずっと胸に秘めていた。大學(xué)での演劇公演をきっかけに、拓は俊晞への思いを告白し、2人は戀人同士になる。秘密の交際を始めた2人だったが、さまざまな困難に直面し、やがてその関係は大きな試練を迎えることとなる。 　　主演は、日臺混成の4人組ボーイズグループ「BUGVEL」のメンバーであるGUNO（王君豪）と、俳優(yōu)?ソロシンガーとして活躍するChance （成晞）。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.