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超能力者
姜棟元,高修,鄭恩彩從小，楚仁（姜東元 飾）就知道自己擁有能夠控制人心的超能力，凡是被他的雙眼所正視的人，無(wú)一例外的會(huì)被迷惑而任其擺布?？恐衿娴某芰?，楚仁得到了一切他想要得到的東西，但人性本就貪婪，個(gè)性乖僻的他依然沒(méi)有感到滿(mǎn)足，而是變本加厲的使用這能力干起了犯罪的勾當(dāng)。 在一次偷竊行動(dòng)中，楚仁和名為奎南（高修 飾）的男子相遇了。讓楚仁感到震驚的是，這個(gè)外表平凡的男子居然沒(méi)有受到自己的蠱惑，他不僅讓行動(dòng)遭遇了失敗，還害自己錯(cuò)手殺死了無(wú)辜的人成為了通緝的對(duì)象。更讓楚仁憤怒的是，不自量力的奎南居然對(duì)自己展開(kāi)了調(diào)查。一場(chǎng)貓鼠之間的追逐正式拉開(kāi)了序幕。
志愿軍：浴血和平
張子楓,宋佳,朱亞文,陳飛宇,彭昱暢,肖央,王硯輝,郭濤,王傳君,周政杰,張宥浩,吳昊宸,王挺,郭曉東,李晨,杜江,馮紹峰,閆妮,阿如那,曲禾,王雨甜,于謹(jǐn)維,王陽(yáng),張雪迎,劉軍,朱一龍,辛柏青,袁凱,梁靖康,于清斌電影《志愿軍》三部曲系列終章《志愿軍：浴血和平》聚焦抗美援朝第五次戰(zhàn)役后直至簽署停戰(zhàn)協(xié)議期間“邊打邊談”的作戰(zhàn)歷程。前線(xiàn)戰(zhàn)斗血火交鋒，談判桌上唇槍舌劍，面對(duì)敵人的一再挑釁，中華兒女合力反擊，誓要奉陪到底，經(jīng)過(guò)747天的抵死奮戰(zhàn)，終于打破了美軍不可戰(zhàn)勝的神話(huà)，搏來(lái)了期盼已久的和平。
綁架2016
西耶娜·蓋爾利,威廉·B·戴維斯,梅麗·卡爾維A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.
幸福2024
洼冢愛(ài)流,蒔田彩珠影片改編自《下妻物語(yǔ)》等經(jīng)典作品的原作---嶽本稔明的同名小說(shuō)。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語(yǔ)。
孤雁2026
康磊,李欣穎,宋禹1935年上海中共地下組織遭國(guó)民黨特務(wù)重創(chuàng)，絕密檔案危在旦夕。地下黨員徐峰、李靜臨危受命與叛徒、特務(wù)展開(kāi)生死周旋，更要面對(duì)昔日兄弟反目的仇怨，歷經(jīng)重重犧牲與考驗(yàn)，最終成功取回絕密檔案，完成革命使命。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鉆石般的她
路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達(dá)納·卡納塔,杰皮·庫(kù)奇阿里,安娜·費(fèi)澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛(ài)多阿多·普爾加托里,卡爾米內(nèi)·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克「人可生如蟻而美如神」：一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻，一名奧斯卡導(dǎo)演拍出她們美如神的生命。導(dǎo)演邀約一眾他熱愛(ài)的演員，重塑一家高級(jí)裁縫工作室色彩斑斕、五味集陳的過(guò)往，追憶70年代一班堅(jiān)毅溫柔的女裁縫的故事：表面盛勢(shì)凌人卻細(xì)膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛(ài)小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開(kāi)小我、互相照顧，照亮平凡生活中超越自我的不平凡，展現(xiàn)她們的獨(dú)立、愛(ài)欲、掙扎和力量。意大利金像獎(jiǎng)觀眾人次最高獎(jiǎng)意大利銀絲帶獎(jiǎng)年度電影