即刻觀影
劇情賞析
編輯推薦
煉獄校園
賈瑞德·科恩,Kelly McCart,Katrina Grey,Kat Ingkarat,Anastasia Maslova,Panipak Jaemmangkang,Suebpong Kulsathaporndhai,Matt Milotich,Christiana Chaiwanna,Chaleeya Kaawjinda,Patita Seeda,Sivakorn Virojanadul一名美國青少女在學(xué)校慘遭霸凌,回?fù)舻暮蠊麉s是被送到感化學(xué)校,不過這所「學(xué)校」實(shí)則更像一座監(jiān)獄,她必須奮力抵抗心懷不軌的警衛(wèi)和虎視眈眈的幫派,在這片龍蛇混雜之地殺出自己的生存之道……
還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村林美嘉(李昕蕓 飾)、安曉晨(李媛 飾)和陳宇林(范逸臣 飾)大學(xué)時(shí)代便認(rèn)識(shí)的好友,曉晨與宇林更是親密的情侶。畢業(yè)后這對(duì)閨蜜共同進(jìn)入一家服裝設(shè)計(jì)公司,在殘酷的職場中果敢自信的曉晨扶搖直上,很快成為一支團(tuán)隊(duì)的負(fù)責(zé)人,這讓美嘉心中難免有所芥蒂。某次二人受公司指派去泰國尋找素材,希望轉(zhuǎn)運(yùn)的美嘉堅(jiān)持要去某個(gè)偏僻所在向法師求佛牌。此后,兩人在泰國遭遇離奇火災(zāi),曉晨命喪異國他鄉(xiāng),美嘉則僥幸逃生,但失去了泰國之行的所有記憶。身為心理醫(yī)生的宇林固然傷心,同時(shí)希望通過自己的專業(yè)技能幫助美嘉走出陰影。 可是這番治療絲毫沒有效果,美嘉被恐怖的幻覺所困擾,情況愈演愈烈……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
逆轉(zhuǎn)劫局
烏戈·席爾瓦,埃瑪·蘇亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達(dá),蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費(fèi)爾南多·阿爾比祖焦急的母親菈葵兒(艾瑪蘇雷茲飾演)到銀行借錢,她必須在24小時(shí)內(nèi)籌到35000歐元(約新臺(tái)幣130萬元),否則她將再也見不到心愛的女兒。經(jīng)過不斷懇求,銀行終於同意借款給她救急。不料在貸款手續(xù)快要完成之時(shí),兩個(gè)蒙面搶匪闖入銀行,不但搶走所有錢,就連在場所有顧客與行員都成為人質(zhì)。在分秒必爭的險(xiǎn)境當(dāng)中,菈葵兒決定無論付出什麼代價(jià),都一定要拿到這筆錢全身而退…。究竟她該如何保住性命?又該如何籌錢保住女兒呢?
最優(yōu)路徑
2087年,AI公司瀚海用“最優(yōu)路徑”接管人類社會(huì),任何不服從的人都會(huì)被系統(tǒng)抹除。執(zhí)法者林墨終于抓回叛逃的女兒林躍,以為能用“意識(shí)同步”救她一命,卻在親手把她送上手術(shù)臺(tái)后發(fā)現(xiàn):老板要的從來不是拯救,而是把她改造成終極兵器。
肖菲勒
埃里卡·弗雷澤,埃里克·庫比亞克,馬蒂·麥克唐納