肉肉的金發(fā)洋妞邊上班邊給同事放福利

 國王和王后迎來了他們可愛的小女兒奧羅拉公主（格瑞思·范·迪恩 Grace Van Dien 飾），為了慶祝這個嶄新的小小生命的降臨，城堡里舉行了盛大的宴會。國王邀請了仙女和女巫們參加晚宴，哪知道仙女們遲到了，這讓久候的女巫感到非常的生氣。女巫設(shè)下了惡毒的詛咒，詛咒奧羅拉公主將在她16歲那一年被紡錘刺破手指而死。內(nèi)疚的仙女無法破解女巫的詛咒，卻將詛咒換了一種形式，被紡錘刺中的公主不會死去，而是陷入永久的沉睡之中。一晃眼16年過去，雖然國王和王后一直對公主的安全嚴(yán)防死守，但悲劇還是發(fā)生了，公主，連同整座王宮都陷入了昏睡中。一晃眼多年過去，一位勇敢的王子（菲恩·瓊斯 Finn Jones 飾）來到了這荊棘遍布的地方。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　夢想成為一名“神探”的面館兒小老板林勝利，意外卷入一起“謀殺騙?！钡年幹\中，善良正義的他利用多年自學(xué)的推理知識及縝密的邏輯思維能力，攜手律師朱敏一起抽絲剝繭，避免了悲劇發(fā)生，最終將壞人繩之以法。

　　Scot想要從歹徒手中救出妹妹，卻遭人陷害，被控謀殺，被處以死刑。一位瘋狂科學(xué)家把Scot的大腦植入大猩猩體內(nèi)，Scot以大猩猩的身軀復(fù)活，開始他的復(fù)仇...