即刻觀影
劇情賞析
編輯推薦
半身死靈
大島優(yōu)子,山崎真實(shí),螢雪次朗,阿部進(jìn)之介在近代日本坊間流傳著這樣一個(gè)傳說(shuō)，名叫島禮子的美麗少女被美國(guó)大兵輪奸，在此之后她精神失常，臥軌而死。島禮子一縷幽魂不散，化作只有上半身的恐怖惡靈。它極端憎惡紅色，每晚出沒在橫跨鐵路的天橋上，并在路過(guò)之人背后發(fā)出“嗒卡嗒卡”的聲音。一旦路人回頭，它便將對(duì)方攔腰斬?cái)唷＜词箖e幸逃過(guò)，在接下來(lái)的72小時(shí)內(nèi)也必然遭到“嗒卡嗒卡”的獵殺。 高中少女大橋可奈（大島優(yōu)子 飾）的好友綾花夜歸遭遇“嗒卡嗒卡”，遇害身亡。克奈在祭拜好友時(shí)，同樣見到這個(gè)恐怖惡靈，不過(guò)僥幸逃脫。然而死亡的陰影仍然籠罩在她的頭上，在女大學(xué)生平山理繪（山崎真實(shí) 飾）的幫助下，她們一同出發(fā)尋找求生的辦法……
鐵弓傳奇
孟可,王昱凱,潘洋,張莉佳,李運(yùn)凱總兵石須龍之子石倫強(qiáng)搶秀英，匡忠出手相救、拉開寶弓，二人因弓結(jié)緣。秀英、匡忠逃跑途中互生情愫，二人在識(shí)破石須龍貪污軍餉罪行的過(guò)程中重新認(rèn)識(shí)彼此、相知相愛，聯(lián)合月英帶領(lǐng)的二龍山眾兄弟打倒石須龍。
赤赤煉戀
土屋太鳳,吉澤亮,千眼美子,吉田羊,大杉漣,有森也實(shí)熙攘喧囂的大都會(huì)東京，游魂漫無(wú)目的地行走在城市的每一個(gè)角落。身穿校服的女高中生樹里（土屋太鳳 飾）曾經(jīng)將自己深鎖屋中，拒不登校，后來(lái)則選擇從公寓樓頂一躍而下，結(jié)束了自己十幾年匆匆的人生。此去經(jīng)年，她早已忘記當(dāng)初自殺的理由，甚至有時(shí)忽略了已經(jīng)死去的事實(shí)。細(xì)細(xì)回想生前事，曾有交到的傾心好友，也曾有運(yùn)動(dòng)出色的青梅竹馬，而如今俱成過(guò)眼云煙。曾經(jīng)討厭嘈雜低端的她，現(xiàn)在反而喜歡身處其中。樹里仿佛是城市中唯一一個(gè)亡靈，沒有任何說(shuō)話對(duì)象，除了那些慫恿失落的人自殺的蟲男。 這是她的孤獨(dú)地獄，沒有止境的旅程……
古曼童
辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman EsquivelA black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾十年之后，新太子妃因病去逝，留下一子朱由校，太子消沉，王恭妃常年生病，三皇子回京被冊(cè)封，姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚，情急之下，梅兒說(shuō)出蘭心并沒有死，并回憶：原來(lái)蘭心并沒有瘋，因?yàn)樗裏o(wú)法面對(duì)太子，請(qǐng)求梅兒放她走，于是梅兒送走了蘭心，并說(shuō)出蘭心一直住在蓮花庵。王恭妃不顧病體，拼死懇求蘭心歸來(lái)，蘭心最終答應(yīng)了王恭妃。后王恭妃逝世。鄭貴妃安排萬(wàn)歷并不知情。蘭心趁機(jī)偷偷面見，告知王恭妃的死訊，最終蘭心去了吉壤，半夜三更，道士刺殺太子，梅兒追蹤，結(jié)果摔下山，蘭心趕到，救了太子，太子暈迷，并在山下發(fā)現(xiàn)了梅兒……太子醒后與蘭心相認(rèn)了，后來(lái)蘭心無(wú)意中說(shuō)漏嘴，無(wú)奈告訴了太子事實(shí)的真相，太子傷心欲絕。萬(wàn)歷把鄭貴妃叫到跟前，斥責(zé)對(duì)王恭妃的死訊隱瞞不報(bào)，并且萬(wàn)歷知道鄭貴妃派人行刺一事， 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.