麻里梨夏之田徑色女孩 TAMM-025

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　佳宇打算去北京阻止父母離婚。被佳宇救助的鄧凱幫他籌錢。父母回村辦離婚，佳宇被鄧凱假綁架，反被傳銷分子利用敲詐佳宇父母，父母報警，佳宇被救。佳宇在景區招商匯演時表演當年父親失敗的魔術，挽留父母。

 故事發生在中世紀的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會邊緣掙扎求生。然而，當安妮過去的一位故人從戰場歸來，一位神秘騎士的出現似乎預示著詛咒的降臨，并威脅著她們所有人的命運。

　　當10個年輕人去探索一家廢棄的比薩店時，他們很快就知道，他們將不得不為自己的生命而戰，同時試圖揭開比薩店令人不安的歷史。